Month: May 2014

Shovel Ready by Adam Sternbergh

Posted May 13, 2014 by Michael @ Knowledge Lost in Dystopia, Science Fiction / 0 Comments

Shovel Ready by Adam SternberghTitle: Shovel Ready (Goodreads)
Author: Adam Sternbergh
Published: Hachette, 2014
Pages: 256
Genres: Dystopia
My Copy: ARC from Netgalley

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

He is only known as Spademan, former garbage man in New York City – that was until a terrorist attack on Times Square killed his wife. Now he is taking out more than trash; a gun for hire, he will do your bidding as long as you are willing to pay. “I don’t want to know your reasons. I don’t care. Think of me as a bullet. Just point.” Shovel Ready is a fast paced science fiction thriller set in the wasteland, which use to be known as New York City.

Adam Sternbergh combines his favourite parts of neo-noir, cyberpunk and science fiction and mashes them all together to make an action novel that is crying out for a movie adaptation. Shovel Ready is so dialogue heavy that one might think it is written in a way that could be converted into a screenplay without any effort. Only problem with this is the publisher’s choice to leave out quotation marks. I hate when they do this and in a book with so much dialogue it really can be a deterrent.

Spademan is a strong protagonist, an anti-hero with strength, wit and his own set of morels. “I kill men and I kill women because I don’t discriminate. I don’t kill children because that’s a different kind of psycho.” I understand why he turns from killer to protector of his target, the runaway daughter of a wealthy US televangelist. However something didn’t sit right; a hitman is often an unemotional, uncompromising character but Spademan wasn’t. He reads like a psychopath but then every so often his actions feel uncharacteristic and that really throws me out of the novel.

Take out Spademan and just look at the world Sternbergh has created and you won’t be left wondering where he drew inspiration from. This world feels like Bladerunner and the virtual reality world know as the limnosphere reminds me of The Matrix mixed with Surrogates. In fact, it feels like the author borrowed so much from different science fiction movies and novels it is hard to pick an original thought.

When reading Shovel Ready everything whisks along and the reader never has time to stop and think about anything. I really enjoyed the novel but once I finished reading it I noticed just how much was borrowed from other mediums. I do, however, wonder if Shovel Ready was really trying to explore the issue of social disengagement that our world is heading towards but during the reading of this novel I never picked up anything so in depth.

For a fast paced science fiction/action novel, then Shovel Ready is the book for you. I do believe the film rights have already been acquired and we may see an adaptation. Adam Sternbergh is also working on a second Spademan novel and I’ll probably read it. Despite all the flaws, it was a fun, quick read and I did enjoy the experience; it was only after I got mad. Don’t expect anything deep or life altering in Shovel Ready but sometimes you just need some light entertainment.

So this happened

Posted May 11, 2014 by Michael @ Knowledge Lost in Literature / 2 Comments

The Completed Works of A.J. FikryDo you remember the scene in The Collected Works of A. J. Fikry (known as The Storied Life of A. J. Fikry in the US) by Gabrielle Zevin where A. J. talks to a sales rep about the suspension of disbelief? In this scene they talk about how some novels require a suspension of disbelief. On one end of the scale you have literary fiction were everything is about real life situations, then three quarters of the way down the scale you have The Magicians with its references to magic and Fillory. At the end of the scale there is A. J. and his decision to adopt little Maya.

Do you remember this scene? I spent a sleepless night analysing this scene. Trying to understand the concept of ‘suspension of disbelief’ and what the author wanted to say on this topic. I’ve been enjoying The Collected Works of A. J. Fikry but this one scene really stuck with me. The only problem is, this scene doesn’t exist and I was analysing a scene that played out in my mind instead.

It got me wondering about this weird situation. Why would I be kept up all night wondering about a non-existent scene? That whole experience was odd and I’m not sure what to make of it. Do others have similar stories like this? It’s an entertaining story, worth sharing but I feel little a senile because of it.

My review of The Collected Works of A. J. Fikry will be out this week.

My Bookish Manifesto

Posted May 10, 2014 by Michael @ Knowledge Lost in Literature / 20 Comments

I love my blog, I’ve been very proud of it and I can’t think of anything better. I like to spend my time playing with it, slowly improving it and writing posts for it. I don’t make money off my blog but it is a real passion of mine and something I plan to continue for a very long time. Recently I read a fantastic article on advice to young critics, while this is focused on the TV and movie industry I think it is still relevant to what I want to achieve.

Feeling all inspired by this article, I started thinking about what I want to achieve in life. I want to be considered a critic and I would love to get paid to do what I love but if that never happens I will still enjoy doing it. I’m not satisfied to with my current skill level and I want to continuously be improving. I took the advice given in the article on board and decided to adapt it to reflect my intentions. Being as pretentious as I am, I’m calling this my book critic manifesto.

  • Read a lot of different books – make sure to explore a wide range of genres, going outside more comfort zones and reading from more nationalities, different translations and genres.
  • Read from the back list – avoid only reading from the novels that have only just come out. Read books from all periods of time. Go back further than the 18th century and try to understand how books from the past have paved a way for the present.
  • Learn about the book industry – the politics and what goes on behind the scenes, it is important to have a finger on the pulse of the bookish world and understand trends and strategies deployed by the publishers.
  • Write every day – Commit to writing at least one post a day, it doesn’t matter if they get published or not, develop a habit. Writing takes practice and the more you practise the better you will be come. This is an essential step for self-improvement.
  • Find time to read every day – I can’t improve as a book critic if I’m not spending time reading, make the time. Listen to audiobooks while working, driving or exercising. Carry a book (or ebook) at all times and use any free time to read a little more.
  • Write it down – any good ideas or notes I have need to be written down before I forget. I’ve started carrying a notepad with me and finding other methods to jot down notes and thoughts as they come to me.
  • Rewrite – Edit, edit and edit some more. First drafts are never going to be my best writing but I often don’t like to rewrite. I must disciple myself to put my best work forward and thing will mean rewriting.
  • Proof read – I’m lucky enough to have a great editor (my wife) who is supportive of my blogging. She generously takes the time to read over every post I write before it hits the blog. I have to train her to be tougher on me and tell me if I need to re-write something but with her help I will improve. However I need to make her life easier not harder, I need to make sure I’m not relying on her and I’m checking my work thoroughly before she sees it.
  • Read up on history and psychology – It is fascinating to see how helpful knowledge of history and psychology can help with critical thinking. I am to critique books, so I need to understand more about the historical context and the psychology behind it.
  • Study literary theory – I need to understand literary criticism better; I know I will never understand all the theories but a basic knowledge will be useful. I suspect that my primary focus will be Marxist and Psychoanalytical theory but I would also like to be able to read a book from a Feminist, Post-Colonial, etc. view point as well.
  • Learn about language – Read more books about language and grammar, they can be fun and I can learn a lot from them.
  • Interact with the bookish community – it is important to continually seek out people with different viewpoints, I don’t want to become an echo chamber. Interacting with people that read and review books differently to me will help me develop my style and avoid becoming stale. We don’t want to live in a world where everyone says the same thing and if I can spend time reading different opinions I hope to avoid being similar to the crowd.
  • Learn about creative writing – I sometimes wish I could write a story but I feel I’m better suited as a critic and a reader than an author. I do need to learn the tools of the trade so I can understand why an author does what they do and develop an appreciation for the craft.
  • Develop my voice – I feel like my style is very conversational and personal; this is how I relate to the novels and this is how I feel. With practice I can perfect my style but I must always remember what I’m trying to achieve and how I want to come across in my writing.
  • Avoid only writing reviews – I don’t want to fall in the habit of only writing book reviews, if I’m writing every day I’m never going to keep up. I will write non-review posts, about my bookish thoughts or what ever is going on in the bookish world. Memes are great but I don’t want to rely heavily on them.
  • Meet deadlines – If I’m going to request an ARC then I must make sure that I read and review the book before the deadline or release date. Non-solicited ARCs don’t need to be read before a deadline or at all. I have written a review policy that clearly states that not all ARCs will be read but I need to make sure if I’ve committed to one that I read it.
  • Don’t be afraid to be different – I’ve found that I often hate books that others may enjoy, I do enjoy writing a negative review and I must remember that there is nothing wrong with that. However I must also remember that the job of an author is hard and I must always use tack and constructive criticism. I can’t be afraid to try something different and have a voice that differs from the rest, stand firm in what I think and be uncompromising in my writing.
  • Be the best you can be – I need to learn that sometimes a piece of writing isn’t working and I should dump it and start again. I shouldn’t be afraid to start over, I want my editor to be hard on me and I should be hard on myself too. I can learn a lot from others and I must be willing to take criticism. It is a helpful to my growth as a critic and also essential. If I’m not happy with a piece how can I expect others to enjoy it. Try and try again until you get it right.
  • Just write – I know that there will be times where I will feel like I’m not writing well or am suffering from a writer’s block. I need to remember that I don’t have to publish everything I write to my blog. I can write a bad piece and then dump it and try again, I might get some decent lines out of my bad writing that can help form a better piece.
  • Have fun – This is a passion not a chore.

This is still a work in progress and I plan to add more to this manifesto when I think of it. I feel like I have a goal in sight and I want to work towards it. This is not about getting a job or anything like that; this is about developing my skills to be the best book blogger/critic I can be. I’m passionate about books and I love talking about them, I will improve and this is how I plan to do just that. If you have any good advice that I can add to this, let me know in the comments below.

The Wives of Los Alamos by TaraShea Nesbit

Posted May 9, 2014 by Michael @ Knowledge Lost in Historical Fiction / 2 Comments

The Wives of Los Alamos by TaraShea NesbitTitle: The Wives of Los Alamos (Goodreads)
Author: TaraShea Nebit
Published: Bloomsbury, 2014
Pages: 240
Genres: Historical Fiction
My Copy: ARC from Publisher

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

It wasn’t until the attack on Pearl Harbour in 1941 that the Americans really got involved in the Second World War and they did this in a big way. It was often referred to as Project Y, a secret laboratory that sourced scientist from all over the country to help the allies in their war efforts. The Laboratory was located in Los Alamos, New Mexico and the secret project was The Manhattan Project.

TaraShea Nebit’s debut novel The Wives of Los Alamos explores the birth of the atomic age. Although many may have wondered what it was like for the wives of these scientist. The secrets their husbands had to keep and somehow convince their wives and families to move to an undisclosed location. If we took the time and really thought about what it would have been like, we might have come up with the same answers as Nebit.

However TaraShea Nebit did the research (resources used are mentioned at the end of the novel) and then set out to write this unique novel. The Wives of Los Alamos is written in the collective voice of the wives of Los Alamos, which takes a while to get used to. The plural first person perspective is rather odd and it tends to keep the reader at arm’s length and never really allows an intimate look at the feelings these women must have been going through. With lines like “We married men just like our fathers, or nothing like them, or only the best parts.“ I get the sense that the author is generalising the feelings and while I appreciate the research she did, this type of writing feels more like speculation rather steaming from truth.

I find it difficult to review this novel, there is no protagonist and the plot is a very basic look at different aspects of life set out to drive the book along. TaraShea Nebit is very clever and the novel pushes the reader to actually imagine what life would be like for these families. In a time where everyone is concerned with war these families are uprooted and forced to live with a completely different sets of worries in mind. Secrecy can tear families apart and the importance of The Manhattan Project demands that this secret be kept. I can’t imagine a life like this but The Wives of Los Alamos offers some idea.

I found it difficult to connect with the women in the story, they were nameless and faceless. Their collective voices all sang the same tune but really people are not all the same that I never got a look into the emotions and thoughts of just one of the women. A biography from one of these women would have been better; The Wives of Los Alamos gives you a taste but left me wanting so much more.

This was a fascinating novel but it never went into any great detail of the social complexities facing these families. I would have liked to explore the psychological effects this great secret had on the family and relatives. Even have a peek into the cultural effects of birth of the atomic age, considering the Los Alamos National Laboratory played key roles in both the Atom and Hydrogen bomb. It is a fascinating period of American history and science, The Wives of Los Alamos has whet my appetite and I might look at some of the books TaraShea Nebit mentioned at the end.

Ransom by David Malouf

Posted May 8, 2014 by Michael @ Knowledge Lost in Historical Fiction / 0 Comments

Ransom by David MaloufTitle: Ransom (Goodreads)
Author: David Malouf
Published: Vintage, 2009
Pages: 240
Genres: Historical Fiction
My Copy: Paperback

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

While Ransom is a retelling of Homer’s Iliad, this doesn’t mean this is just a bite-sized simplification of the epic poem. I will admit that I’ve not read Iliad or The Odyssey by Homer; for some reason I’m scared to do so, even though I’ve managed epic poems that some may consider hard to read (The Divine Comedy and Paradise Lost). I’ve heard it said that you don’t really need to read Iliad to enjoy Ransom but I would have to disagree, I think David Malouf’s novel is inviting the reader to look at the poem in the way he interprets it. There are gaps that Malouf expects the reader to know and understand and without any prior knowledge to The Iliad and the war on Troy they can feel lost and confused.

Ransom starts at the point where Priam’s son Hector is slayed by Achilles and mainly focuses on the two characters. I’m not sure about Iliad and I’m not going to speculate on what Homer was trying to say in the poem but I will look at what Malouf is saying. Ransom is a novel on human grief, love and even revenue in an intimate and rather tender approach to the subject matter. The emphasis is on the human emotions behind the story that plays out during the Trojan War. Although the novel explores the emotions of both Achilles and Priam, not really caring about any of the other characters so we only really get to experience the ideas of grief and revenge.

The main point on reading this novel was to explore the idea of intertextuality or the relationship between two interconnecting pieces of text. While I can’t say I’ve had much experience with intertextuality, the only novel that springs to mind is The Amazing Adventures of Kavalier and Clay; I suspect there is a little interconnectivity in all novels. Intertextuality covers everything from modernisations, parodies, reimaginings and anything that borrows from a different text.

This often makes me wonder, at what point do we stop studying intertextuality and more a look at plagiarism? The concept of intertextuality and plagiarism feels like a very thin line. Ransom for example is a retelling of Iliad where David Malouf wants the reader to explore this classic poem the way he sees it. This is his interpretation of what he feels Homer was trying to say. Doesn’t mean it is the only interpretation, Malouf is just taking his ideas and exploring it further.

One day I will get around to reading Iliad and The Odyssey; I’m saving them for when I have some time to read critically and take the time to full understand the two epic poems. Once I’ve done that, I think I might revisit Ransom, see if I get something out of it. I did enjoy Malouf’s style and it was an interesting novel to read but I really need to read the original first.

The Temporary Gentleman by Sebastian Barry

Posted May 4, 2014 by Michael @ Knowledge Lost in Historical Fiction / 2 Comments

The Temporary Gentleman by Sebastian BarryTitle: The Temporary Gentleman (Goodreads)
Author: Sebastian Barry
Published: Faber & Faber, 2014
Pages: 270
Genres: Historical Fiction
My Copy: Paperback

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Sebastian Barry is often credited for the way he captures the quintessential Irish life, especially with the McNulty family. The Temporary Gentleman tells the story of Jack McNulty, an Irish engineer that gets commissioned into the British Army in the Second World War. I will admit that this is my first Sebastian Barry novel but I had a fair idea on what I was getting myself into. The title alone gave me an idea of the type of man this is following, only temporarily a refined gentleman. It was also the idea that Jack wanted to be a gentleman but thought his social-economical background prohibited that.

The Temporary Gentleman serves are a retrospective of Jack’s life as he reflects on the choices he made along the way. But unlike similar stories like this, Jack wasn’t a nice person; in fact he was a real bastard. A drunk and a degenerate gambler, he not only ruined he own life but that of his wife, Mai. He joined the army to escape, not a honourable thing to do but I get a sense that Jack may of felt like this was the only time he was a gentleman.  Leaving Africa would mean he would have to return to his past, but is this what makes he such a bastard?

I will admit that I went into The Temporary Gentleman with the idea that this was a post-colonial novel; I expected it to explore the effects of empiricism of Kenya as they were working toward their independence. I only guess that from the synopsis and I guess you can say there was some glimpses of this, the way the Kenyans treated Jack as an ex Major. In hindsight, if I was to look at this novel as post-colonial, I should have been focusing on the imperial effects England had over Ireland. Considering this took place after the Irish War of Independence (1919-1921) and the Irish Civil War (1922-1923).

However I decided to look at this novel through the lens of psychoanalytical theory. I’m no expert at literary theories but I do try and this was a very in-depth and psychological look at Jack McNulty and the way he sees himself. A look at his mistakes and narcissism and how damaging his choose are for him and the people close to him. The Temporary Gentleman almost serves as a psychological profile and if I knew more about psychology I would try to analyse it.

I have to except that my literary criticism skills are still very lacking, I might have been able to handle this novel through the lens of post-colonialism but it was too focused on Jake McNulty to get much out of it. Psychoanalytical theory is something I’m very interested in and possibly my next focus in the world of literary criticism. All I can really say is that Barry makes it impossible to sympathise with Jack at all.

Sebastian Barry appears to know his craft; his approach to the novel was expertly executed. The prose in The Temporary Gentleman makes the whole experience bearable; you can help but enjoy the writing while grinding your teeth at Jack McNulty. I don’t feel like I can truly recommend this novel, there are plenty of unlikeable characters that are more thrilling to read about but I will be returning Sebastian Barry in the future.

How do you pick an imprint for classics?

Posted May 3, 2014 by Michael @ Knowledge Lost in Literature / 8 Comments

Every publisher seems to have their own classics section. Penguin Random House now control most of the market (Penguin Classics, Modern Classics, Signet Classics, Vintage Classics, etc). So how do you choose which collection to buy from? Do you even pay attention to the publisher? When I first started hording collecting books, I didn’t pay too much attention and went for the prettier cover but I’m beginning to wonder if this is a decent solution.

1-05-2014 11-38-14 AM

Sure, I would love to own every book released in the Pulp! the Classics; they are fun and I do own a few of them already but buying a classic because of their covers isn’t really effective. Not all editions are the same, in particular translated classics. When picking up a Russian classic do you know which translator to pick? Do you spend time researching the best translator or do you have a publisher you can trust?

I’ve often contemplated this question and since studying at university I’ve noticed that they often recommend two publishers more than any other; Norton Classics and Oxford World Classics. While they don’t have the best covers, I’ve had the greatest success with Oxford World Classics, to the point that I don’t want to buy any other editions. If asking the internet which translation of a novel I should read, for War and Peace it is Louise and Aylmer Maude and for Crime and Punishment, Jessie Coulson is often the answer. They are the translators used in the Oxford World Classics.

I’m not sure what it is, I just trust Oxford World Classics more than any other and they often offer some great questions to ask yourself in the back of the novel. My new found love for Oxford World Classics and the reason for this post is not to give a sales pitch or anything like that; I’m just curious if others think about this topic in as much detail as I do. If so, which publisher do you trust over all others?

The Thousand-Dollar Tan Line by Rob Thomas & Jennifer Graham

Posted May 2, 2014 by Michael @ Knowledge Lost in Crime / 2 Comments

The Thousand-Dollar Tan Line by Rob Thomas & Jennifer GrahamTitle: The Thousand-Dollar Tan Line (Goodreads)
Series: Veronica Mars #1
, 2014
Pages: 324
Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Veronica Mars is quite possibly one of the most interesting characters on TV. She’s intelligent, witty and snarky; think Philip Marlowe meets Nancy Drew. First of all, if you haven’t seen the TV show, I highly recommend you do so first. Watch the show then the movie and then you’ll be ready to read this novel. This new series takes place after the events of the movie, which means not only do I have to avoid spoiling the novel, but I must also try and avoid any major spoilers of the movie. I’m sure there will be spoilers from the TV show (mild spoilers from the movie as well) but that really can’t be helped.

Veronica Mars is back in the land of sun, sand, rich entitled kids, crime and corruption otherwise known as Neptune, California. A town that has no middle class, you are either rich or you are considered low class, and the Sheriff, he comes down hard but only on those below the poverty line. When a girl goes missing at spring break, a media frenzy follows but the Sheriff’s department are not being helpful. Veronica is hired to find the girl but this leads her into a dangerous underground of drug and organised crime.

All your characters are back, with one surprise. I’m pleased to report that everyone and everything in Neptune felt authentic and I’m so happy to see that Mac had a bigger role as Veronica’s sidekick. There is one major flaw in this movie, it changed perspectives; the TV show and movie are all told in a first person narrative but the book is in third person. Which is strange, Veronica Mars’ first person narration is iconic to the brand and also a vital part of the neo-noir style. While that noir style is still evident in the novel it just didn’t feel the same.

Another major flaw in the novel is the missing ‘bigger’ mystery. It was what made the TV show so great; ‘who killed Lilly Kane’ is what got me addicted to the show and each season had a new mystery to solve. I would have liked to see this return in the new book series but much to my disappointment it didn’t. These books are marketed to fans of the Veronica Mars brand and taking away pieces that make the show/movie great really does not do this novel or the others any justice.

I am a marshmallow (if you don’t know what that is then maybe this book isn’t for you) so I obviously loved this novel and enjoyed being back in Neptune. I will be reading any Veronica Mars novel that gets released and backing any kickstarters for any more possible movies. It was fun to stay in Veronica Mars’ world but I would like to know what happened in the ten years between the TV show ending and the movie. I’m hoping this series will tell me more about Veronica’s university and FBI years.