Tag: archetype

The Fictional Woman by Tara Moss

Posted July 19, 2014 by Michael @ Knowledge Lost in Non-Fiction / 0 Comments

The Fictional Woman by Tara MossTitle: The Fictional Woman (Goodreads)
Author: Tara Moss
Published: Harper Collins, 2014
Pages: 352
Genres: Non-Fiction
My Copy: Library Book

Buy: Book Depository (or visit your local Indie bookstore)

Tara Moss is probably best known as a person you hate; she seems to succeed in everything she puts her mind to. Starting her career early at 14 as a model, she always dreamed about being a writer. People don’t encourage others to be writers but they do tell girls that they should be a model. Eventually she did and it took her around the world and taught her so much; the experiences may not have been all good but it helped shape her life. Eventually she did start writing and her Makedde Vanderwall become a huge success and she created this character as a way to explore her interests in forensic science, psychology and other topics. Now with nine fiction novels under her belt Moss is giving us her first non-fiction book, The Fictional Woman.

The title comes from the idea that people tend to dismiss and stereotype others. Tara Moss is no stranger to this; she even took a polygraph test to prove she wrote her books. While this book starts off as a memoir it is important to know that this is a social critique on the world and feminism. The book begins as a memoir to provide context, an understanding of Tara Moss’ struggles and her life helps to see where The Fictional Woman is coming from. Historical context is also an important part of understanding feminism as well, especially when it comes to gender equality and pop culture. There have been plenty of Spiderman (too many), Zorro and James Bond movies but there has never been a Wonder Woman movie. In literature, the female archetype stems from fairy tales and medieval fiction, heroines tend to face off another woman, often older and depicted as witches. Cinderella type stories require a man in order to live happily ever after and even chick-lit often portrays a gender inequality.

The Fictional Woman explores this imbalance in pop-culture and society and looks at where these archetypes come from. It is impressive to see the amount of research and information Tara Moss puts into this book; it really was eye opening. I highly recommend people read this book but I need to warn everyone it may contain triggers. I’m surprised to see that the imbalance is so prominent in today’s society and I am trying to make more of an effort to read a balance of authors. The problem I found is I tend to pick up books without taking notice on of the author, sure it sometimes easy to know their gender but I don’t research authors before starting a book. I try to make more of an effort and it is an area I need to work on.

I’m really impressed with Tara Moss, she seems to succeed in everything she does; sure I’m a little jealous that she is so talented but I still feel motivated. For those interested, I recently wrote a piece about an author event with Tara Moss on Boomerang Books if you are interested, I talk in a lot more detail about The Fictional Woman. I have never spent so much time thinking about feminism, I plan to do a lot more of it, even read some more books on the topic. I might even incorporate it into my critical reviews; it is an important topic that needs to be addressed.


The Hunter by Julia Leigh

Posted May 28, 2013 by Michael @ Knowledge Lost in Contemporary / 0 Comments

The Hunter by Julia LeighTitle: The Hunter (Goodreads)
Author: Julia Leigh
Published: Penguin, 1999
Pages: 188
Genres: Contemporary
My Copy: Personal Copy

Buy: AmazonBook Depository (or visit your local Indie bookstore)

Under an assumed identity of Martin David, Naturalist, M arrives to hunt down the last Tasmanian tiger rumoured to exist within Tasmania. On the edge of the wilderness, he will soon slip into an untouched world of silence and stillness. Hunting the last thylacine, an animal extinct since the 1930’s, but a sighting has been reported.

Julia Leigh, born in 1970 in Sydney, Australia, has received critical acclaim even though she has had a very small writing career so far. The Hunter in 1999; a novella in 2008, Disquiet; and then she wrote and directed the 2011 movie Sleeping Beauty (not to be confused with the fairy tale). I tend to think that most of her acclaim came from people expecting great things from her after she was selected to be the protégé of Pulitzer and Nobel Prize winning author Toni Morrison in 2002 as part of the Rolex Mentor and Protégé Arts international philanthropic programme.

The Hunter is an interesting novel because it follows a post colonial narrative which is unheard of for an Australian novel. When it comes to Australian adventure novels, most of the time characters just get lost in the wilderness not go hunting dangerous animals.  This leads to an interesting portrayal of the thylacine, which I will look at later. The Hunter may be a stripped back quest narrative but it feels very American and masculine for an Australian female author. American in a sense that the hunt narrative could be compared to Moby Dick, Old Man and the Sea and even The Bear, comparisons which she has acknowledged. Masculine in the way she gives approaches this novel with detachment, contempt and control over the death hunt subject matter. You could compare the paired back minimalist prose to something found in hard-boiled fiction, but not quite.

M is the archetype of a hunter, a figure that inhabits the story rather than one the lives in its world. There are not too many details of this character, but he seems to have similar characteristics as the hero in a spaghetti western. Ruthless, cold, calculating and inhuman but never unethical; though the lack of character development is an important part of this book. It forces the reader to keep him at arm’s length so we can study him. It’s almost like Julia Leigh has been taking active steps so that we never warm to him.

He is never a role model or anti-hero; he is just a faceless man in pursuit of the last remaining thylacine. What does the thylacine represent in this book? Imagination, hope for the future, guilt of the past, living in harmony with nature or a biotech ghost in a Tasmanian gothic novel? It’s up to the reader to decide, but while we are on the subject of the thylacine, does this animal both represents the Australian wildlife, an animal going extinct to raise global awareness as a form of Ecocriticism or is it supposed to be an animal that could harm or kill the hunter? These are the questions that I believe Julia Leigh wants us to ask as readers.

Julia Leigh setups a situation where the reader has to reason with their imagination and emotions in order to get the reader to think about what the author might be saying. I really like how you can read The Hunter as an adventure, a Tasmanian gothic or as ecocriticism. No matter which way you read this you are not wrong. I thought of this more as a western; just with the way the protagonist was portrayed and the people drinking in the bar reminded me of those rednecks drinking in a saloon in those spaghetti western films. I’m interested to see how people read this book and just see what they got out of it.