Tag: Crime

Fadeout by Joseph Hansen

Posted August 18, 2013 by Michael @ Knowledge Lost in Pulp / 9 Comments

Title: Fadeout (Goodreads)
Author: Joseph Hansen
Series: Dave Brandstetter #1
Published: University of Wisconsin Press, 1970
Pages: 187
Genres: Pulp
My Copy: Personal Copy

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Dave Brandstetter is an insurance investigator who is hired to investigate a death claim of a local celebrity, whose car plunged off a bridge in a storm. In the absence of a body the insurance company needs to send their own investigator before handing over $150,000 (works out to be about $900,000 by today’s standards). As the investigation continues Brandstetter is convinced that Fox Olson is still alive and he must find him before the would-be killer does.

Dave Brandstetter embodies the tough, no-nonsense persona of most classic Hard-boiled detectives with one major difference; he’s openly gay. As most people know, I have a love for the hard-boiled detective and I’m always looking for new and interesting takes on this genre. I’ve found that in Joseph Hansen’s Fadeout. There are a few reasons why I plan to continue the series and I thought rather than talk about the book, it would be nice to mention what will make me continue with the other eleven novels.

First of all, I’ve never read a pulp novel like this before; a homosexual protagonist would have been controversial in 1970. This would have been near the beginning of the gay pride movement and Hansen must have gone through a lot of hardship with writing this character and being a homosexual as well. With all the stigma and prejudices towards homosexuality back then (and let’s face it, it’s still around today) it was refreshing to see a protagonist who is proud and comfortable with his sexuality (I get sick of seeing homosexuals in literature being portrayed as unstable or disturbed) .

From the very first page of Fadeout, we find out that Dave Brandstetter has just lost a long term partner to cancer, so now we have this fresh new angle as well. Joseph Hansen has been quoted in saying the following about this topic;

“There was room in the form to say important things about men and women and how they cope with life.”

So we have this protagonist that is both tough as nails and maybe cynical of life after this tragic loss but we also get to watch him deal with his grief. Throughout Fadeout you witness Dave Brandstetter struggle with loneliness, sexual desire and even alienation and you really get an idea of just how hard it must be for him. It’s something I don’t think I’ve seen in a hard-boiled novel before and it seems to work really well, I feel for Brandstetter and have a better understanding of just what makes this man tick and that connection makes me want to continue the series.

Lastly, something I didn’t see too much of in Fadeout but I feel like this would be an element that Joseph Hansen would work into the series; I can see it coming. Dave Brandstetter is an insurance investigator, in most hard-boiled novels you have the detective hired by someone close to the victim to solve the puzzle. In this series you have the investigator working against the people; working for the insurance company. Mix that with people’s prejudices and you have a protagonist that will have to struggle to solve any mystery because people will close up and refuse to talk to the man. I like the whole idea; sort of like an anti-hero, he wants to solve the crime or mystery but he has the best interest of the insurance company in mind and not the people. If Hansen uses this throughout the rest of the series, it could really open it up to some interesting and new situations.

Judging by the difficulty of getting a hold of this book, I’m inclined to think this series is cult classic but then you look at the blurbs on the book and think this is a series I should have known about and really is a classic in its own right. I’m sure it will be difficult to get a hold of the other eleven books but I think it will be worth the effort. I want to see if my predictions are correct and also see what Joseph Hansen does with the series. Highly recommend Fadeout; it has the makings of a classic hard-boiled novel but then you have added elements to make it stand out.

The Last Whisper in the Dark by Tom Piccirilli

Posted July 7, 2013 by Michael @ Knowledge Lost in Thriller / 3 Comments

Title: The Last Whisper in the Dark (Goodreads)
Author: Tom Piccirilli
Series: Terrier Rand #2
Published: Bantam Press, 2013
Pages: 336
Genres: Thriller
My Copy: ARC from Netgalley

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Prodigal thief Terrier Rand has been sucked back into the life he so desperately wanted to escape. He finds himself this time helping his old friend’s wife, Kimmy discover just what has changed with Chud since the night a car heist went horribly wrong. These people don’t take kindly to the questions Terry is asking but before he can find that truth, a curvy femme fatale takes him on a walk on the wild side, estranged relatives pull him into their horror film empire, and his sister is heading for disaster.

I first discovered Tom Piccirilli from an Amazon email recommending me The Last Kind Words (book one of the Terrier Rand series) based on my enjoyment of Drive by James Sallis. Based on that email I did some research of the book and ending up buying it (not from Amazon). Although the two books are vastly different I really enjoyed The Last Kind Words and was so pleased to see Terrier Rand return for another novel.

Terrier Rand grew up in a household of thieves and grifters; from a very young age Terry had been engaging in theft. He left his family and life of crime to go straight but in The Last Kind Words, which happened five years later, he had been dragged back in when his brother was claiming to be innocent of one of the victims of his killing spree. His brother was only days away from execution and asked Terry to look into that one murder. Collie has pleaded guilty for all the other murders but the police won’t listen when he claims he is innocent of this one murder. Collie doesn’t want the real killer to remain on the loose and even though Terry hates his brother and what he did, he finds himself investigating.

Now Terrier finds himself sucked into the family drama all over again, this time it’s his old friend Chud (as well as his wife Kimmy) and his sister Dale that he has to look after. No matter what he does, Terry just can’t seem to escape his family; though he may love them, they will always suck him back into a life he urgently wants to escape. So Terry is constantly in a battle between escaping and helping the people he loves; Dale his younger sister who he wants to keep away from the world of crime and Kimmy, his former fiancée and his daughter, who he wants to keep safe as well and if his old friend Chud is mixed up in something he might have to try and save him as well.

This is not a crime thriller; this is a book of family drama and different dilemmas that come with them. While the thriller genre plays out really well and you can even see Tom Piccirilli’s noir back ground come through within this book. I love this series simply because of the unique characters and the drama that comes with looking after those who are close to you. Piccirilli does a wonderful job of writing crime fiction and blending it with character development and drama, something that is often lacking in this genre and he just shows the world how it can be done well and he does it with ease and style.

The Last Whisper in the Dark continues the story of Terrier Rand really well, those characters have a way of sticking with you and it was so great to return to them and see what happens next. You have to read The Last Kind Words before trying this book out but I highly recommend them both if you are looking for something with more character and emotions in a crime thriller. I will admit I haven’t read anything else Tom Piccirilli has written which I feel bad about but maybe I will get a chance to do so sometime soon. I hear great things about his noir fiction and in particular The Cold Spot, so that is already on my radar.

ArmchairBEA 2013: Blogger Development & Genre Fiction

Posted May 29, 2013 by Michael @ Knowledge Lost in ArmchairBEA / 26 Comments

Day two here at Armchair BEA and we are talking blogging and genre fiction. This could be interesting; I can’t wait to see what people say about both topics. When it comes to blogging I take this serious; it’s not that I want to become a professional and earn money (sure that would be nice but I want to treat this as a hobby, I’d love to get paid for doing what I love but I’m happy to have fun) I just like things organised and looking good. I’m not entirely happy with the way my blog looks but I think I lack the coding and graphic design skills to fix it so I leave it the way it is. Now when it comes to blogging platforms, I’m an elitist and think a self published wordpress blog is the only way to go; it is the only way to be flexible and professional. I’ve also recently discovered this amazing plugin thanks to The Oaken Bookcase which has been a book blogging lifesaver (after the hours spent going though older posts to fill in the information) so if you are on wordpress.org check it out.

Last year I wrote a Top Tips for Book Blogging post as part of Armchair BEA but think time I think I would just like to share my goals for this blog which should lead into the talking about genre fiction. This blog originally started as a way to document my reading journey, I’ve always thought my target audience is me and any other readers are just added bonuses. Now I want to be a literary explorer, I don’t want to get tied into only reading one genre, so before I started this blog I started a Goodreads book club also called Literary Exploration in which we try to read different books in different themes and genres. Now this is all voted on so sometimes I think the book club can get a little stuck on reading cannon books but it is a lot of fun and still takes me out of my comfort zone. This led to the Literary Exploration Reading Challenge where we challenged people to read a book from different genres. This has had such a positive result that I think it will become a yearly challenge (with some fine tuning) and I hope it will continue to push people out of their comfort zones.

Now I like to read literary books but I do enjoy some good hard crime (hard-boiled and noir) but as a literary explorer I have to force myself to read all genres. I really struggle with Fantasy (not so much urban fantasy), Romance, Erotica, Chick Lit, Paranormal and Young Adult fiction but I really try. I think it is important to be willing to try other genres because there are always great books to experience and if we are not willing to try we end up missing books that could become our next loved book. A recent example of this for me was The People of Forever Are Not Afraid by Shani Boianjiu, I expected Young/New Adult but I got so much more for the book.

ArmchairBEA is a virtual convention for book blogger who can’t attend Book Expo America and the Book Blogger Convention. Banner by Nina of Nina Reads and button by Sarah of Puss Reboots

The Last Good Kiss by James Crumley

Posted May 12, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

Title: The Last Good Kiss (Goodreads)
Author: James Crumley
Series: C.W. Sughrue #1
Published: Vintage, 1978
Pages: 244
Genres: Pulp
My Copy: Personal Copy

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

James Crumley’s private investigator CW Sughrue finds himself searching for a runaway young woman, missing for ten years. But this is not how it started out; he was hired by a woman to find her ex-husband, Abraham Trahearne before he drinks himself to death. A confrontation in the bar that results in Trahearne being injured in hospital puts Sughrue in a position to look for this missing woman.

This hard-boiled novel is told in a way I don’t think has been done enough in a pulp crime novel. A parallel narrative exploring the problematic relationship between Sughrue and the wandering alcoholic novelist, and the three femme fatales in Trahearne’s life, just to make things more complex. Apart from that, you have the usual elements that make up a hard-boiled novel; alcohol, money, love, sex, power and violence.

Somehow James Crumley has a refreshing voice for this genre; I’m not sure if it is just that I’ve not read enough hard-boiled novels set in the seventies or there is something else there. I would put Crumley somewhere between Raymond Chandler and Jim Thompson; he doesn’t have the plotting skills and wit that Chandler has but he isn’t as violent and philosophical as Thompson. The narrative, while in a first person point of view, manages to switch between making the reader feel like they are in the same room trying to piece this mystery together, and then all of a sudden you are inside CW Sughrue head reading all his thoughts, emotions and memories. This isn’t easy to do but Crumley does this so seamlessly that you don’t really notice it happening. This narrative, mixed with the cynicism and low regard to society is what I think makes this book so refreshing.

This novel deals a lot with sex; Sughrue’s personal integrity and professional ethics are corrupted by the sexual desire towards Catherine; a desire she uses to manipulate him. Trahearne hasn’t been able to be creative because of his sexual desire with Melinda and his attraction towards his mother. Then there is Betty Sue, who just has a sexual desire towards everyone in the book. It’s important to know at the core of this books portrayal of sexual desire is the cynical belief that such corruption is unavoidable and even inevitable.

The Last Good Kiss also deals with the idea of identity and trying to escape your past, but ultimately realising you can’t run. Betty Sue hides her true self between layers of masks and other identities; she is running from her sexually exploitative time in San Francisco but it all comes back in the end. Trahearne can’t escape his infidelities, alcoholism and his ex-wife’s fury. All of them fail to realise that the past defines the present. Their mistakes in the past do not have to define their future but helps them grow; this book just ends up being a twisted celebration of life’s obstacles shaping our personality.

Admittedly I found myself being bored in parts of this book and wanting to skim read, but I persevered and found some interesting elements that stopped this from being a generic crime novel. CW Sughrue, is an alcoholic ex-army officer turned private investigator and that dark past is what makes me want to keep reading the series, just to discover what he is running from. The Last Good Kiss has been described as the most influential crime novel of the last 50 years, influencing people like Michael Connelly, George Pelecanos, Dennis Lehane and even Neal Stephenson; that alone is an impressive reason to check this book out. While I think I prefer Jim Thompson for style and message, James Crumley is an author I plan to explore more of.

Shoot the Piano Player by David Goodis

Posted May 6, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

Title: Shoot the Piano Player (Goodreads)
Author: David Goodis
Published: Prion, 1956
Pages: 196
Genres: Pulp
My Copy: Library Book

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Haunted by his past, Eddie plays to forget. Hiding from life, he plays nightly at a small joint on Skid Row; a place for hookers, lowlifes and crooks. A washed-up classical pianist, he finds himself bottoming out — he’s only care in the world is stroking the keys in this dive bar. When his brothers get in trouble with some gangsters, he finds himself being dragged into the chaos of his no-good family.

David Goodis really knows how to create a bleak world, which I did find myself being sucked into from the very start. Yet I tend to think that maybe Goodis missed the mark a little with this novel; there was something missing and the end result was not as compelling as others in this genre. I think the narrative was a bit flat; do not get me wrong, I love the existentialism, alienation and angst that were coming from Eddie but I think it failed to be as melodramatic or psychological as I would like from a noir novel like this.

Eddie was suppose to be an empty shell, not even closely resembling his former self and I think here is where I had the problem. There was no real character development for Eddie as there was nothing really there. He wasn’t hard-boiled, he was not witty or intelligent in any way; he just seemed to not care at all. Sure he tried to survive but as a character I thought of him as flat and boring. Lena, on the other hand, seemed like there was so much hidden from the reader but she never really got enough time in the book to explore that.

Another issue I found was the books was jammed back with dialogue and I feel like David Goodis was better at building atmosphere. I am not saying this is a bad book or that I did not enjoy it; I had a lot of fun reading this book. I just wanted to look at what let me down with the book as well as what worked. Shoot the Piano Player moves at a frenetic pace and if it wasn’t for the over use of dialogue to slow it down, this could of been a real page turner. This novel also feels really different to other noir novels; the style feels the same but there is something about this novel that makes it unique, possibly the execution of the plot but I cannot put my finger on it.

I have mixed feelings about this novel, at times it is amazing then you turn the page and it almost flat lines. Almost like it had it’s own emotions and suffers from severe mood swings. This balance never felt right; I get the impression this would work a whole lot better as a movie. In fact I think the movie French noir classic directed by François Truffaut and starring Charles Aznavour in 1960 was what held this book firmly in place with the other great noir novels. I wonder if the movie was not a success would this book fade into obscurity like the rest of David Goodis’ novels.

I did not intend to be so hard on this novel, I wanted to enjoy it and to some extent I did. Just in the end the cons far outweighed the pros. I have yet to see “Tirez sur le pianiste” but if I get my hand on it I think I would be correct in assuming that it is better than the novel. Add more angst, existentialism, melodrama or psychological elements and fix my issues; that would be the perfect pulp novel. Although then you will be more likely be reading a Raymond Chandler, James M Cain or Jim Thompson novel.

Ghostman by Roger Hobbs

Posted April 20, 2013 by Michael @ Knowledge Lost in Thriller / 0 Comments

Title: Ghostman (Goodreads)
Series: Ghostman #1
, 2012
Pages: 336
Buy: Amazon, Book Depository (or visit your local Indie bookstore)

When a casino heist goes bad, there are a lot of loose ends to tidy up. Loose ends like a million dollars and only 48 hours to find it. The Ghostman is sent into find the money and make sure the crime isn’t connected back to his employer. Only problem is he is in the Wolf’s territory now and he wants the Ghostman’s head in a bag; if they can find him.

First of all, this is a pretty stereotypical heist novel, with all the normal thriller elements that you expect, the double crosses, the cops, the clearly laid out plan, it is all there in this book. So why did I enjoy this book more than I should have? The Ghostman, let’s just call him Jack Delton as that is the name he uses the most in the novel, is nothing really special. There isn’t much character development; he continues to remain an enigma the entire time. Yet there is something about him that I liked; he has the ability to hide in plain sight, to blend in and he is pretty much a grifter sent in to clean up the mess. He is also a pretentious book worm; he admits to reading a lot in the book and has a soft spot for Homer and epic Greek poetry. These elements of his character, and the fact he knows how to handle himself when things get rough, really come together to make a character I enjoyed reading about.

All other characters in the book were completely underdeveloped and just felt like backdrops that got in the way of Jack Delton’s tasks. But then again, you do need conflict and twists and turns to drive a story like this; there was nothing too shocking about the plot, I would have loved a good twist or maybe a darker narrative but all in all, Ghostman was a lot of fun to read.

This is Roger Hobbs’s debut novel and he is only 24 years old which makes you wonder; where did he learn all the skills to pull off a casino heist and cover it up? The detail put into the different ways of doing things was incredibly detailed, so much so that you can’t help but think this is the voice of experience. My main problem was that I felt like sometimes the author was dumbing down the information too much; I think he wanted to make sure every reader knew what was happening but the information felt over done.

Delton spends all this time tying up all the loose ends from the heist, that at times I thought things were going to end up incredibly neat and, to an extent, it did, but I was glad to see not everything goes to plan. I thought maybe Delton had a complex plan to get himself out of mess but instead he decided to live by the motto “Flectere si nequeo superos, Acheronta movebo” If I cannot move Heaven, I will raise Hell. Simple but effective, but then again that’s the book in a nutshell.

I still don’t have no idea what really made this book so enjoyable; there really isn’t much in the novel that was special, it all felt like it was done before. In the end I was just sucked into the story and enjoyed the ride; it is a good heist novel and I think it will give most thriller writers a run for their money. Sure it was predictable and nonsensical but sometimes you just need some light entertaining junk to read. It is still worth checking out, even if it is just to see what Roger Hobb can do and then spend some time trying to work out how he researched this book.

What it Was by George Pelecanos

Posted April 17, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

Title: What it Was (Goodreads)
Author: George Pelecanos
Series: Derek Strange and Terry Quinn #5
Published: Back Bay Books, 2012
Pages: 243
Genres: Pulp
My Copy: Personal Copy

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Derek Strange left the police department to set up shop as a private investigator while his old partner Frank “Hound Dog” Vaughn remained. When a young woman comes to Strange to help find a costume ring, it leads him right to Vaughn’s active homicide case. Now both of them are working together trying to find a ruthless killer known as Red Fury.

George Pelecanos is best known as a writer for The Wire; I will admit I’ve not watched the show in its entirety but I thought I will try one of his books. I picked up this book because it was accessible but soon found out it was book five in a series about Derek Strange & Frank Vaughn. Luckily enough this read like a standalone and still felt like I learnt enough about the two to enjoy this book.

This book reminds me of those 1970’s pulp movies, but I don’t think I’ve ever read a novel with that same feel. You have the typical cool, badass African American who goes around kicking ass and then you have his former partner who is as hard-boiled as they come but since he is a cop he does things by the book. This is almost like a buddy cop situation but because they are not working together it doesn’t turn into anything formulaic.

Pelecanos packs a lot of detail into this novel; the cars, the clothes and the action packed plot but most of all the music. I cannot help but wonder if George Pelecanos was obsessed with music at the time of writing this book, because it really came through. Not only does he mention songs, albums and artists but who was playing what instrument and a little review of the song according to the character. Never have I read such an obsession with music since American Psycho.

I’m not sure if Strange had an afro but I can’t imagine him any other way with his bellbottom pants; it really was an image driven novel. I think with all the work George Pelecanos did with TV helped him world build and paint a picture. There were some clunky parts of the book but nothing really that would detract from the enjoyment of Pelecanos hard-boiled style.

I want to read more books in this series, as well as try out some of his other standalone novels. While this was book five, it was enough to convince me to explore more of this author’s catalogue, but I can’t help but wonder if reading this series out of order was one of my major problems with the book. I hear many people talking about The Night Gardener, so maybe that will be my next step into George Pelecanos style.

In A Lonely Place by Dorothy B. Hughes

Posted April 16, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

Title: In A Lonely Place (Goodreads)
Author: Dorothy B. Hughes
Published: Penguin, 1947
Pages: 186
Genres: Pulp
My Copy: Personal Copy

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Post World War II Los Angeles, the place you go to find the great American dream, but a stranger is preying on young women. Ex-airman, Dix Steele offers to help his detective friend solve the case and catch the serial killer in the hopes it will help him with the crime novel he is writing. Along the way he meets the luscious Laurel Gray—the femme fatale. The queen of noir, Dorothy B. Hughes blends psychological suspense with conventional hard-boiled and noir styles to give us In a Lonely Place.

Dorothy B. Hughes is known for her crime novels, 14 books primarily in the hard-boiled and noir genre and In a Lonely Place would be her most recognisable. This could be because of the Nicholas Ray adaptation starring Humphrey Bogart and Gloria Grahame or because of the psychological elements she brings to the genre. A lot of people will compare this novel with Patricia Highsmith’s The Talented Mr Ripley and while they are very similar I can’t help but thinking of the works of Jim Thompson as well. This might be because they all share the same influences Kafka, but more importantly Fyodor Dostoyevsky.

In a Lonely Place starts off like a typical noir novel and immediately the reader suspects there is something not quite right with Dix Steele. Could it be the fact that he is pretending to write a crime novel to sponge off his friends and family? Or the fact that he is a cynical misogynist? Maybe, but if you look a little closer at the writing you will find the answer. This is told in the first person but not by Dix Steele himself, like this person is with him at all times and sees everything Dix does. This sets up the psychological portrait of a woman-hating serial killer that really makes this novel work.

Towards the end of the book when Laurel Grey and the detective’s wife discover that Steele himself is the murderer, it comes as no great surprise. The book builds up like this big great reveal but there are so many elements throughout the book that give it away. I don’t think it was ever meant as a twist, just a way for Dix to find out himself. But through the whole book I was waiting and waiting for it to happen, I never really thought it would happen so late in the story.

The movie In a Lonely Place is vastly different to the book; for one thing Dix Steele is a successful screenwriter not a conman pretending to be a crime writer. Also true to Hollywood form, during the whole film everyone suspects Steele to be the killer but he turns out innocent. He still was a cynical vet but he never really had a chip on his shoulder towards the opposite sex, it felt like it was towards everyone. Also femme fatale Laurel Gray really wasn’t sassy or strong minded in the movie which was the biggest disappointment of them all.

Dorothy B. Hughes wanted to expose the misogyny of American society at that time with this book and she did a great job. The end result is this dark psychological tale that the movie adaptation butchered. Problem is I’ve seen the movie many times before finally reading the book, so it took me a long time to really get going. Both stories are worth checking out but trying to connect the film to the book doesn’t really do either of them any justice.

In a Lonely Place is worth reading; it’s nice to read a woman’s take on the noir genre. This really is a male dominated genre but women like Dorothy B. Hughes, Patricia Highsmith and Megan Abbott prove they can write noir just as well. The thing I loved most about this novel was that the influences of Fyodor Dostoyevsky’s Crime and Punishment were written all over this and yet Hughes made it her own. Make sure you check this novel out if you are a fan of hard-boiled, noir or even psychological thrillers.

Gun Machine by Warren Ellis

Posted March 25, 2013 by Michael @ Knowledge Lost in Crime / 0 Comments

Title: Gun Machine (Goodreads)
Author: Warren Ellis
Published: Mulholland Books, 2013
Pages: 308
Genres: Crime
My Copy: Library Book

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Warren Ellis reimagines New York City as a puzzle with the most dangerous pieces of all: GUNS.

After a shooting on Pearl Street claims the life of Detective John Tallow’s partner, he unwittingly stumbles into an apartment stacked high with guns. When examined, it is found that each gun is connected to a previously unsolved murder. Someone has been killing people for twenty years and keeping each gun as a trophy. Tallow has been put on the case and with the help of two CSU employees they are soon on the hunt for what could be the most prolific mass murderer in New York History.

I recently read Warren Ellis’ Crooked Little Vein and while I enjoyed the book I felt it was missing something. Gun Machine has that missing element; blending Ellis’ humour this book offers the violence with that dark cynicism that his other book was missing. Gun Machine starts out with the loss of Detective Tallow’s partner and while he should be mourning this tragedy he has been forced into what could be the biggest case of his career. Pairing with a couple of gothic CSU agents to help with forensics, Tallow begins to uncover a huge New York conspiracy.

Tallow is the perfect lead for this type of story, stuck between hating his job and the sudden loss of his only friend and partner; he is thrown into the deep end with no help at all. He struggles to make sense of this room full of guns and with the help of his two misfit sidekicks they begin to form an unlikely team.

While Ellis does favour the hard-boiled genre a little, this is more of a crime thriller than anything else. The blend of humour and his cynical outlook are what make this book worth reading. Crooked Little Vein tried to blend the two together but ended up focusing too heavily on the humour and the weird fetishes to really work too well. Gun Machine seems to get that balance right, turning this into a purely entertaining escapist novel.

Gun Machine really works at what it sets out to do, not too heavy on the humour, violence or dark aspects. It’s been creating a buzz about it and it is well deserved, I loved reading this book and didn’t want it to end. Sure it’s not without its flaws but for the escapist element, this book really is worth reading.

March Violets by Philip Kerr

Posted March 24, 2013 by Michael @ Knowledge Lost in Pulp / 0 Comments

Title: March Violets (Goodreads)
Author: Philip Kerr
Series: Bernard Gunther #1
Published: Penguin, 1989
Pages: 256
Genres: Pulp
My Copy: Personal Copy

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Bernie Gunther investigates the murder of the daughter of one of German’s wealthiest industrialists while the 1936 Summer Olympics play out in Berlin. Gunther is an ex-policeman that thought he had seen everything, but becoming a freelance Private Investigator has found him being sucked into the horrible excesses of Nazi subculture.

This is classic hard-boiled/noir fiction; it has the hard-hitting detective, a fast-paced plot and the everyday violence you come to expect. But this time that everyday violence comes in the forms of anti-Semitisms and the Nazi regime. The Nazi German backdrop is a great location for noir novel and makes for a whole cast of strong and interesting characters.

While the plot does need some polish, as it’s not a very strong crime plot, the interference from the Kripo and Gestapo did a great job of masking the flaws. March Violets reminds me a lot of Fatherland by Robert Harris with the concept but for me March Violets concept was much better just not as well executed.

The over used metaphors and attempts at humour really took away from the richly developed backdrop and while at times it did drag on a little, I really found myself enjoying this book. I’m not sure how well Philip Kerr researched this novel but the way he portrayed Nazi Germany felt right in my mind; the strong police state trying to play nice for the Olympic games and then the inability or unwillingness of ordinary Germans to try stop the crimes or injustices, while spending most of their time worrying about the coming war.

March Violets is the first in the Berlin Noir series and based on this book, I’m looking forward to reading the next two books. Not sure if I will continue the series after that but I will start with them. Bernie Gunther is a great protagonist with his hard hitting ways that seem like they will land him in a KZ (Konzentrationslager or Concentration camp). I’m glad I picked this book up, while there are some weak points, like I said before, they seem to be easily missed with everything else happening in this book. Well worth reading for pulp fans, it’s a fresh take on this genre.