Tag: Film noir

Missing Person by Patrick Modiano

Posted November 29, 2016 by Michael @ Knowledge Lost in Literary Fiction / 0 Comments

Title: Missing Person (Goodreads)
Author: Patrick Modiano
Translator: Daniel Weissbort
Published: Verba Mundi, 1978
Pages: 192
Genres: Literary Fiction
My Copy: Library Book

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

I have been wanting to read Patrick Modiano; not only has he won a handful of awards, he is the recipient of the 2014 Nobel Prize in Literature. The Nobel was “for the art of memory with which he has evoked the most ungraspable of human destinies” but the committee also called him the “Marcel Proust of our time”. Unfortunately, not many of his novels have been translated from the French into English, despite the fact that he is so prolific (I counted six English translations prior to winning the Nobel Prize in Literature and a further eight since winning).

Missing Person appeared to be the perfect starting point for me, as it covered two elements that I am drawn to in literature, noir and philosophy. The novel follows Guy Roland, who was been working for Constantin van Hutte in his detective agency for the past eight years. As Hutte has decided to retire, Roland embarks on one last case, to find out who he really is. Guy Roland (a name given to him by Hutte) lost his memories during the war and is essentially a blank slate.

What drew me into this story was the cinematic style; it feels like a French film noir. The French title of the novel is Rue des Boutiques Obscures, which translates to the Street of Dark Shops. This is not a hard-boiled story, as Roland is not hard-boiled in anyway; this is what I would probably call existentialist noir. A perfect blend of the mysterious setting; dark cafes and plenty of wine and cigarettes. With the enhanced feeling of being completely lost, as Roland tries to find out who he really is.

“The sand holds the traces of our footsteps but a few moments.”

Essentially this is a novel exploring the ideas of identity and memories. I like the way Modiano played with the idea of a blank slate. What defines this person? What makes up this man’s character, and will what defined him in the past return to him? An exploration into the way people remember you and how that shapes your character and personality. Roland tries on different personas; in his investigation he may not discover who he really is but he adopts this ideas of people to see if it feels right or sparks a memory. The way memory plays out in the novel is particularly interesting; in one scene he recalls a love affair with a woman, but fifteen years after the breakup she denies that it ever happened. So you are left wondering if it did happen, or is this a distortion of the truth or maybe even a suppression of her past.

This is the type of novel you do not read for the plot. Missing Person is meant to explore an idea, invoke an emotion and get you thinking about identity and memories. The pulp-ish style to this novel really worked for m., I love the idea of investigating yourself; playing with the idea of self-discovery and identity. I will be exploring more from Patrick Modiano; in particular I want to try his novel Honeymoon. I am glad I read Missing Person and I have not been able to stop thinking about the ideas explored in this novel.

The Third Man by Graham Greene

Posted August 29, 2013 by Michael @ Knowledge Lost in Classic, Thriller / 0 Comments

Title: The Third Man (Goodreads)
Author: Graham Greene
Narrator: Martin Jarvis
Published: Penguin, 1943
Pages: 180
Genres: Classic, Thriller
My Copy: Library Book

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

American western writer Rollo Martins arrives in Post-World War II Vienna at the request of his childhood friend, Harry Lime. Lime has a job for him but when Martins arrives, he soon finds out that his friend has died. Convinced that Harry Lime’s death was no accident, Martins starts his own investigation, which leads him on a hunt to find the other witness, The Third Man.

If you are a loyal listener of The Readers or follow Simon Savidge’s blog or twitter you may know he recently lost his grandmother. To pay tribute to the memory of Dorothy Savidge he has asked people to read something by Graham Greene, as he was her favourite author. Greene for Gran (or on twitter #GreeneForGran) was born and I took this as an opportunity to try my first Graham Greene book, as well as join in this beautiful memorial to a fellow book lover.

Now The Third Man is an interesting book; it is actually written in preparation to writing the screenplay to what will become a film noir classic. Graham Greene wrote this novella and then converted it into the screenplay. I’m not sure how or why the original novella ended up being published but I suspect that the huge success of the movie may have had something to do with it. So when reading The Third Man you are basically reading the novelisation of the movie; everything is exactly the same.

This is not necessarily a bad thing, the movie was fantastic but then again I’m a fan of Orson Welles (Citizen Kane is the greatest movie of all time) so I might be biased. Who am I kidding, it’s not bias; The Third Man is a classic film noir movie and if you haven’t seen it then you are missing out. It’s hard to review a novella that is exactly the same as the movie, there may not be any point to reading the book if you can watch the movie but I wanted to see how Graham Greene wrote and I think I’m a fan.

What I found fascinating about the novella was the fact that the entire story is told from the perspective of Major Calloway and not the Rollo Martins. Just a quick side note here Rollo Martins name was changed to Holly Martins in the movie just in case you thought I made a mistake there. So I look back at the movie and try to imagine The Third Man from the perspective of Calloway and it just doesn’t seem right, but it works really well for the book. Just another example of what a novel can do that film can’t and gives the novella something unique that you wouldn’t get from the movie.

This only took me about an hour to read (I read slow) and while it is pretty much the exact same thing as the movie, I’m glad I read it. It gave me a sense of Graham Greene’s style and I know what to expect when I try another book (any suggestions). I loved the movie and I think the book is a great companion for fans of The Third Man. Now I want to rewatch the movie, sounds like a good idea right?

Five Decent Film Noir Adaptations

Posted July 20, 2013 by Michael @ Knowledge Lost in Adaptations, Top 5 / 0 Comments

This might be the last in a series of film adaptation posts for a while. Recently I listed ten of the worst adaptations and then five decent adaption; now for Film Noir. I’m a big fan of Hard-Boiled and Noir fiction so it’s time to look at some of the better Film Noir adaptations from these classic novels.

5. They Shoot Horses, Don’t They? by Horace McCoy

4. The Grifters by Jim Thompson

3. L.A. Confidential by James Ellroy

2. Double Indemnity by James M. Cain

1. The Big Sleep by Raymond Chandler

I’m not going to go into too much explanation about these movies; some of them are faithful to the novel and some very different but they are all decent books and film noir classics. I could have also added The Post Man Always Rings Twice, The Black Dahlia, The Long Goodbye and even The Maltese Falcon but I didn’t want to have too many of the same author on the list. Now if you are a fan of Film noir and pulp novels, let me know what I’ve missed.