Tag: Translated Fiction

La Bastarda by Trifonia Melibea Obono

Posted August 10, 2018 by Michael @ Knowledge Lost in Contemporary / 2 Comments

La Bastarda by Trifonia Melibea ObonoTitle: La Bastarda (Goodreads)
Author: Trifonia Melibea Obono
Translator: Lawrence Schimel
Published: Feminist Press, 2018
Pages: 120
Genres: Contemporary
My Copy: Paperback

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Going into La Bastarda, I did not know what to expect. I picked it up on a whim; a coming of age story about a teenage girl rebelling against the norms of Fang culture sounds too good to pass up. This is the first novel by an Equatorial Guinean woman to be translated into English and, let’s be honest, I need to read more books from Africa. One of the reasons I read books in translations is to explore cultures I have never experienced. La Bastarda did give me the opportunity to both learn about Equatorial Guinea and experience what it must be like as a queer person.

There is a lot to say about the Fang culture and I will try to include that along the way but I feel that looking at this novel from a western perspective gives us a lot to talk about. Mainly the fact that tribal culture and our own are very similar. La Bastarda follows an orphaned teen named Okomo who is under the care of her grandmother. Okomo dreams of finding her father but it is forbidden by the elders, particularly her grandfather. It is Fang custom to obey your elders. However with the help of her uncle Marcelo and a group known as the indecency girls, we follow Okomo on her journey of self-discovery.

Okomo is a bastarda, the daughter of no man. Her mother was unwed when she got pregnant. Because Okomo’s biological father did not pay the dowry to marry her mother, he holds no right to be known as a father. Okomo was an outcast, she was looked down on because she was a bastarda but she feels different in another way. According to the Fang customs, once a girl has her period she is old enough for marriage. She has constant pressure to find a husband and bring in a dowry so she can get married and start producing an heir.

There is a great exploration into masculinity within La Bastarda, Okomo wonders what makes someone a man. At first she thought a penis makes someone a man but her grandparents constantly tell her that her uncle is not a man. He is often referred to as a ‘man-woman’ and has to live in the forest away from the tribe. Okomo’s grandfather wants her uncle to do his duty and get his brother’s wife pregnant in order to hide the family’s shame. Fertility plays a great role among the Fang and if you are not fulfilling your role to the tribe you are considered subhuman. To the tribe, Marcelo is a ‘man-woman’ because he is neither married nor producing offspring. His sexuality does not matter. The teenage girls Okomo befriends are known as the indecency (later referred to as ‘woman-man’) because they have not found husbands yet.

There is a lot of sexual violence within La Bastarda, which is very important to discuss. I acknowledge that as a straight white man, that my opinion on this topic is less than ideal but I feel this needs to be discussed. It was not until Okomo was raped by the three women, that we even see Okomo considering herself a lesbian. Not to take anything away from the fact that this is rape, it reads like she only discovers her sexuality by force. Which lead to me thinking just how many people are pushed into self-discovery or are completely unware. I know my own experiences make me ignorant of this journey of discovery, so I have to turn to novels like this.

The forest became a place of freedom for Okomo who quickly fell in love. When their secrets are eventually discovered by the tribe, the punishment was that the girls are forced into marriages, as a form of corrective rape. It is sad to think that the importance of reproduction is considered more important that the wellbeing of a person but it does get you to think about western culture and just how much this is still a problem here as well. Within La Bastarda the only place of freedom is in the forest, which is interesting, considering that African mythology and our own fairy tales depict the forest of a place of evil and witchcraft. In these stories the hero journeys into the forest on a quest, in La Bastarda that quest is one of self-discovery.

Since finishing this short novel I have not been able to stop reflecting on it. La Bastarda has a lot to say, and while it will make you unconformable, it is an important message. While I viewed a lot of this novel in relation to gay and lesbian culture here in the Western world, I cannot begin to imagine the struggle for LGBTQI rights in Africa. I struggle to put into words the feelings I have here, because it is not my journey nor is it a culture I understand. I hope I was able to articulate my thoughts without offending. I believe the importance of equality and I think La Bastarda was able to highlight the struggles people face from another part of the world.


August by Romina Paula

Posted July 19, 2018 by Michael @ Knowledge Lost in Contemporary / 2 Comments

August by Romina PaulaTitle: August (Goodreads)
Author: Romina Paula
Translator: Jennifer Croft
Published: Feminist Press, 2009
Pages: 224
Genres: Contemporary
My Copy: Paperback

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Twenty-one- year old Emilia travels home to rural Patagonia to scatter the ashes of her friend Andrea. Her death was a surreal experience from her new home in Buenos Aires. However returning home five years later is a confronting experience. Once back home Emilia finds herself face to face with her adolescence, as she immerses herself with her memories. August is a blend of the grief narrative mixed with a coming of age story.

What really stuck me with this novel is the way Romania Paula was able to capture that feeling of nostalgia, with the raw emotions of her grief. Blending the constant references to music and pop culture helped drive my own feeling of nostalgia. The angst of being home reminded me of my own younger days. Then there is that feeling of grief, a feeling I have not experienced with such intensity but felt real with a raw intensity. The combination of all these elements really brought this novel together perfectly.

It was a profoundly real experience and the combination of Romania Paula’s writing style and the translation by Jennifer Croft really helped to drive the reading experience. I have been impressed with the work being done by Croft, having recently translated Flights by Olga Tokarczuk from the Polish, which won this year’s Man Booker International Prize. It is at a point where I will pick up anything she translates in the future. Both Flights and August have been both great reading experiences for me, yet the styles are completely different.

It is hard to review a book like August. It is one of those books you need to experience. The novel was published by Feminist Press whose mission statement is to “advance women’s rights and amplify feminist perspectives”. My experience with Feminist Press has been a very positive experience and so much of their catalogue sounds great. With more of a focus on reading women in translations, I know that Feminist Press will provide some raw and gritty experiences. I do not want to say more about August, I just hope I have said enough to convince people to read it.


The Seven Madmen by Roberto Arlt

Posted July 17, 2018 by Michael @ Knowledge Lost in Classic / 3 Comments

The Seven Madmen by Roberto ArltTitle: The Seven Madmen (Goodreads)
Author: Roberto Arlt
Translator: Nick Caistor
Published: Serpent's Tail, 1929
Pages: 323
Genres: Classic
My Copy: Paperback

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Remo Erdosain is a typical middle-class man; that is until he finds himself going down the rabbit hole of conspiracies. The mysteries surrounding The Astrologer finds Erdosain going from a recently unemployed accounting clerk to a follower of a political fanatic. Under the charismatic sway of The Astrologer, The Seven Madmen follows the downwards spiral of Remo Erdosain, a path that could be fatal for the people of Buenos Aires.

One thing that really stuck out with this novel is the way Roberto Arlt wrote the character of The Astrologer. He could be a fanatic religious leader, a socialist revolutionary or just a fascist. No matter how you view this character, his vile thoughts are harmful to both Remo Erdosain and others. This opens the book to explore extremist behaviour without making a political stand. The political turmoil that has rocked Argentina during this time, lead to dangerous ideas from multiply parties or factions and I thought The Seven Madmen brilliantly explores the destructive nature without picking a side.

Written as an existential novel, The Seven Madmen is a realistic depiction of the social issues facing Argentina during the early twentieth century. While this is an early example of magical realism, using fantastical elements to explore myth and reality, the novel became a prophetic depiction of the cycle of violence that would plague the country for the rest of the twentieth century. The novel remains a modern classic today because of its ability to depict the political turmoil but also because it still remains relevant today. If this is not enough to convince you, this is probably one of the best apocalyptic novels I have read in a long time.

However The Seven Madmen is not a full novel, it is only the beginning. Still waiting for the second half of the story The Flamethrowers to be published into English. Fortunately The Seven Madmen does stand on its own. There is so much to explore in this book, and I will probably re-read it again before reading The Flamethrowers. There is so much to explore and with a little more knowledge about Argentinian history, this book just continues to open up. I love the political and economic turmoil in the novel and thankfully the afterword by Roberto Bolaño helped to understand so much more (seriously more publishers need to switch to an afterword instead of an introduction). Roberto Arlt has that 1920s style of written that reminds me of the great pulp writers like Raymond Chandler and James M. Cain, which only served to add to my enjoyment of this book. Seriously, this is a must read.


The Impostor by Javier Cercas

Posted July 10, 2018 by Michael @ Knowledge Lost in Historical Fiction / 4 Comments

The Impostor by Javier CercasTitle: The Impostor (Goodreads)
Author: Javier Cercas
Translator: Frank Wynne
Published: MacLehose Press, 2014
Pages: 430
Genres: Historical Fiction
My Copy: eBook

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Longlisted for the Man Booker International Prize 2018

One of the problems I faced with reading the entire Man Booker International longlist is that the judges tended to pick similar types of books. This year there was a real focus on novels that blurred the line between fiction and memoir. This means that some of the picks felt too similar. Take for example, The Imposter by Javier Cercas (translated by Frank Wynne), which I read right after reading Like a Fading Shadow by Antonio Muñoz Molina which was translated by Camilo A. Ramirez. Both books seem to be a hybrid that deal with real historical events as well as the author’s life.

The Imposter is centred on Enric Marco, a man who claimed he was a prisoner in Nazi German concentration camps Mauthausen and Flossenbürg during World War II. He was awarded the Creu de Sant Jordi (one of the highest civil distinction awards) by the Catalan government, as well as writing a book about his experience. He even became the president of Spain’s leading Holocaust survivor movement. However, it was a lie, in which he responded by saying “I am an impostor, but not a fraud”. A decade later Javier Cercas is investigating Spanish history and then looks into the impact Enric Marco had on the world.

This is a look into human nature and self-deception, while a fascinating concept, this just fell flat for me. This was one of the books I was looking forward to reading on the longlist. The idea of digging yourself into such a lie fascinated me. I truly think I picked this one at the wrong time. It became a struggle to read and I am unable to tell if it was the book itself or the timing. Both The Imposter and Like a Fading Shadow just blended together completely.

I am really unsure if I will re-read this book at a future date, but it has made me rethink reading the Man Booker International longlist in the future. Ideally, I would have read a few of the books on the long list before it is announced. I am getting more and more into books in translations and I hope in 2019 when the longlist is announced I will already have some of the books crossed off. Have you had this experience before? For those who have read this one, is it just a case of bad timing? I am curious to know from others.


Like a Fading Shadow by Antonio Muñoz Molina

Posted May 16, 2018 by Michael @ Knowledge Lost in Historical Fiction / 4 Comments

Like a Fading Shadow by Antonio Muñoz MolinaTitle: Like a Fading Shadow (Goodreads)
Author: Antonio Muñoz Molina
Translator: Camilo A. Ramirez
Published: Tuskar Rock, 2017
Pages: 320
Genres: Historical Fiction
My Copy: Library Book

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Shortlisted for the Man Booker International Prize 2018

In 1968, James Earl Ray evaded the authorities after shooting Martin Luther King Jr. by using a fake passport and making his way to Portugal. During his last days of freedom, he wanders around Lisbon rehearsing his fake identities. In Like a Fading Shadow, Antonio Muñoz Molina reconstructs Ray’s final days, but it is also a meditation on the city that also inspired his first novel A Winter in Lisbon. Turning this into a blend of historical fiction and memoir, Muñoz Molina’s tries to weave his own experiences in with that of a man on the FBI’s Most Wanted list.

Everything about this novel sounded so appealing from the premise but reading it was so difficult. First of all, I thought the idea of having the James Earl Ray narrative interwoven with that of Antonio Muñoz Molina’s did not work as well as the author might have hoped. In hindsight, it would have been better to just read A Winter in Lisbon and then search the internet about Earl Ray’s final days. Secondly, I felt like this book kept going in circles and never really progressing in any satisfactory way. Which is disappointing because I think this was one of the books on the Man Booker International Prize longlist that I was excited to read.

This is so disappointing, the idea to make a fictionalised account of what might have happened when James Earl Ray was in Portugal sounds amazing. I was fascinated that he was able to sneak across the border to Canada and use a fake passport to get to London and eventually make it all the way to Lisbon. He spent his time trying to get to Angola, which alone would have made for an interesting narrative; why is a pro-white supremacist trying to get to Africa? Then you have this memoir-like narrative of Antonio Muñoz Molina trying to write his first novel, A Winter in Lisbon. Separately this could be stimulating to explore the writer’s process and the emotions behind creating a novel. However, as a combination it ended up to be too little of each and together it never came together.

The Man Booker International Prize longlist has been focusing on narratives the blend fiction and non-fiction and I can see why this book was picked but I do not see the appeal for it to make the shortlist. I wanted to love this book; I went in with high expectations but I ended up struggling through this. Between this and The Imposters (which is very similar in many ways) I almost found myself in a reading slump. Thankfully Flights by Olga Tokarczuk was there to save me.


Vernon Subutex, 1 by Virginie Despentes

Posted May 15, 2018 by Michael @ Knowledge Lost in Contemporary / 0 Comments

Vernon Subutex, 1 by Virginie DespentesTitle: Vernon Subutex, 1 (Goodreads)
Author: Virginie Despentes
Translator: Frank Wynne
Series: Vernon Subutex #1
Published: MacLehose Press, 2017
Pages: 352
Genres: Contemporary
My Copy: Paperback

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Shortlisted for the Man Booker International Prize 2018
Longlisted for the Warwick Prize for Women in Translation 2018

Having read Virginie Despentes previously (Apocalypse Baby) I have to say I was a little worried about reading her Man Booker International Prize shortlisted book. I was worried that Despentes was aiming for to shock, but this novel seems to be a cutting-edge social novel looking directly at the punk sub-culture in France. The book is the first in the trilogy and it focuses on Vernon who is feeling ambivalent about his fast approaching half century. He started working at Revolver, a hip Parisian record store in his twenties but now he is reflecting on his own life. Vernon Subutex, 1 explores the rapidly changing social scene of music and the punk rock lifestyle.

The record store once boasted a legendary status but now, in the 2000s, it is struggling. However, in a throwaway comment, the internet believe that Vernon is in possession of the last filmed recordings of the famous musician Alex Bleach. Beach recently died from a drug overdose and now people from all walks of life are after Vernon and this supposed recording.

I view Vernon Subutex, 1 as the beginning of an epic journey. Often, we read an epic as a story that follows a family through their generations but this is more of a social epic. It follows both Vernon and the music industry as their worlds rapidly change. What drew me to this novel is the music references, there are so many bands and songs referenced in this book that I remember fondly. Before becoming a book nerd, I spent a lot of time listening to music, and the punk scene was one I closely followed. While I still listen to music, I do not have a finger on the pulse anymore. I have borne witness to the changes the internet brought to the music industry. Music stores closing everywhere as the rise of piracy and streaming quickly spread. However, it is important to remember that the revival of vinyl has helped indie record stores survive nowadays.

For me, there was just too much that I could relate to in Vernon Subutex, 1 and I found myself loving the reading experience. While I was never into the drugs and alcohol consumption that is associated with this sub-culture, I could identify with the social disconnect, music obsession and laziness that characterised Vernon. Then Virginie Despentes starts to dive into a darker side of the sub-culture, dealing with violent tendencies, racism and sexual identity. Despentes previously was a sales clerk in a record store and a freelance rock journalist, which plays a big part in helping shape this novel. Although her past careers as a sex worker and pornographic film critic have also influenced the plot. She seems to explore themes of youth marginalisation, the sexual revolution lived by Generation X, music and pornography within Vernon Subutex, 1 and Apocalypse Baby, which leads me to suspect this is common in all her novels.

Virginie Despentes may have found a place with French authors like Emmanuel Carrère and Michel Houellebecq and while I was not blown away by Vernon Subutex, 1, I will be continuing with book two when it is released into English later this year. I feel like there is still more of the story left to explore and I hope that it all comes together in the end. Right now, it feels incomplete and something I would not recommend to anyone, unless they love the music. There is a Spotify playlist which features all the songs and artist mentioned in the trilogy which has lead to discovering some new French bands. If it was not for the Man Booker International Prize longlist, I may have never given Virginie Despentes another chance, but I am glad I have.


Frankenstein in Baghdad by Ahmed Saadawi

Posted May 14, 2018 by Michael @ Knowledge Lost in Horror, Literary Fiction / 4 Comments

Frankenstein in Baghdad by Ahmed SaadawiTitle: Frankenstein in Baghdad (Goodreads)
Author: Ahmed Saadawi
Translator: Jonathan Wright
Published: Oneworld Publications, 2018
Pages: 272
Genres: Literary Fiction, Horror
My Copy: Paperback

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Shortlisted for the Man Booker International Prize 2018

There has been a lot of buzz around Frankenstein in Baghdad, even before being spotlighted on the Man Booker International Prize longlist and now shortlist. Ahmed Saadawi’s novel is an intense portrayal of Iraqi life in post invasion Baghdad. The violence never stopped after the American invasion and junk dealer Hadi collects body parts lying on the streets and patchworks them together. However when a wandering spirit of a guard who was a victim of a car-bomb explosion finds the corpse, he is quick to possess it, giving birth to a monster known as Whatsitsname, who sets out to seek vengeance for all the victims that make up this monster.

Two hundred years ago Mary Shelley published Frankenstein and Ahmed Saadawi’s nod to this classic serves as celebration of the genre Shelley has created. I am often sceptical about a remake or reimagining of a classic, especially when that book is so close to my heart. However I was drawn to Frankenstein in Baghdad, but that might be my love for books in translation. There are elements of this novel that almost mirror Frankenstein but with a more modern spin. Take for example the opening chapter, rather than Captain Robert Walton writing to his sister to setup the story, we have an activity report from the Tracking and Pursuit department. Letter writing is a dying art form but a military report perfectly modernised the novel’s setup.

The war on Iraq is a topic that is often talked about in western society. A war that President George W Bush claimed was successful in the Mission Accomplished speech held on the USS Abraham Lincoln in 2003. Yet it was not until the end of 2011 when all U.S. troops were officially withdrawn. I say ‘officially withdrawn’ but the U.S. have still had troops in Iraq, most notably the American-led intervention of the Islamic State of Iraq and the Levant in 2014 and Operation Conquest in Mosul in 2016. The war on Iraq lead to the Iraqi Civil War which led to America’s involvement again in what they call the war on terror. I do not know much about the conflicts in Iraq apart from the information shared on the news.

I cannot expect the news to portray an unbiased account of everything happening in Iraq so it was nice to learn a little more with Frankenstein in Baghdad. While this is a surreal and fantastical novel, the book did confirm what I have always suspected. That war and violence do not lead to peace. Everything I knew about the war on Iraq had always made it out to be that America is spreading democracy and peace to the Middle East. However all the evidence points to a creation of a new monster, one that wreaks havoc on Baghdad, one that used the power vacuum and hatred to gain a foothold. Not Whatsitsname, but the Islamic State of Iraq and the Levant (ISIL), which is also known as the Islamic State of Iraq and Syria (ISIS).

Frankenstein in Baghdad transforms from a novel of pure horror based on the actual horrors faced every day. However this novel is not as depressing as you might expect. Ahmed Saadawi has managed to convey so much of the world he lives in without scaring the reader away. Frankenstein in Baghdad reads more like a black comedy, a satire of the current state of the Middle East. Taking the themes found in Frankenstein of the way society turned a creature into a monster and turning it back onto the world showing us all the monster that has been created.

While this may not be a direct connection, it is a connection I found in the novel. While Whatsitsname is possessed by righteous fury, going about slaughtering those who have turned Baghdad into a slaughterhouse, this might work for the real life Frankenstein. Although we could argue that they are bound by the same motivation. I will leave any political opinions up to the reader to interpret. This is a stunning novel that I have spent a lot of time thinking about. There is something about Ahmed Saadawi’s story that makes this a must read. Whether his attentions were to compare Frankenstein with that of ISIS is entirely up to the reader. Novels are always subjective, this is the connections I made. I am left with anger towards the U.S. treatment of Iraq and I never had a high opinion in the first place. Without getting too political I want to leave you with one question to think about, should any country force their own values on a culture that is vastly different from their own?

This review was originally published in the literary journal The Literati


The Dinner Guest by Gabriela Ybarra

Posted March 29, 2018 by Michael @ Knowledge Lost in Contemporary / 4 Comments

The Dinner Guest by Gabriela YbarraTitle: The Dinner Guest (Goodreads)
Author: Gabriela Ybarra
Translator: Natasha Wimmer
Published: Harvill Secker, 2018
Pages: 160
Genres: Contemporary
My Copy: eBook

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Longlisted for the Man Booker International Prize 2018

In 1977, three terrorists broke into the home of Gabriela Ybarra’s grandfather, taking him by force. The first half of The Dinner Guest follows her research into what actually happened. This book blurs the lines between true crime and fiction to create a unique narrative. However, The Dinner Guest doesn’t stop there; the book is also centred around Gabriela Ybarra’s mother dying of cancer.

The story goes that in my family there’s an extra dinner guest at every meal. He’s invisible, but always there. He has a plate, glass, knife and fork. Every so often he appears, casts his shadow over the table, and erases one of those present.

The first to vanish was my grandfather.

I have a feeling that the judges of the Man Booker International Prize are focusing on unique narrative styles, particularly when it comes to exploring grief. Of the four books I have read so far from the long list, these have been the similarities. Whether or not we call this a memoir of grief with fictional elements or an autobiographical novel is not something that I choose to debate. However this book evokes too many similarities to War and Turpentine by Stefan Hertmans, with the latter being a much stronger book.

It is almost impossible to talk about this book without looking it as a piece of non-fiction. The fact her grandfather was taken at gun point is wrapped throughout the narrative. The rest of The Dinner Guest is around witnessing her mother’s heath deterioration and her eventual passing. The two tragic events shapes the majority of the book. Evoking many powerful images but ultimately I never felt it really came together.

There is an idea that seemed to stick with me that never played out to my satisfaction. That was the idea of a person viewed differently, not just after their passing. For Gabriela Ybarra, her mother stopped being her mother long before her death. Her identity was stripped away and all that was left was cancer. There is a line in the book that says, “The last time I saw her, she had already stopped existing.” Even after her death, the press suddenly became interested in her.

At first I couldn’t understand why my mother’s death was of interest to the press. Then I was frustrated, because some of the reflections shared had nothing to do with the way I remembered her.

If it was not for the Man Booker International Prize longlist, I may have never have picked up The Dinner Guest. There is some interesting and notable parts within this book but the more I think about it the less I am satisfied. I love trying to read through the longlist to join in on all the conversations but you cannot expect me to like all the picks. I doubt this will make the shortlist, so instead of reading this one, may I recommend War and Turpentine by Stefan Hertmans which was translated by David McKay.


Die, My Love by Ariana Harwicz

Posted March 28, 2018 by Michael @ Knowledge Lost in Contemporary / 4 Comments

Die, My Love by Ariana HarwiczTitle: Die, My Love (Goodreads)
Author: Ariana Harwicz
Translator: Sarah Moses, Carolina Orloff
Published: Charco Press, 2017
Pages: 128
Genres: Contemporary
My Copy: eBook

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Longlisted for the Man Booker International Prize 2018

Ariana Harwicz’s book Die, My Love is the type of novel that will leave you emotionally drained. Translated from the Spanish by Sarah Moses & Carolina Orloff, this is a powerful portrayal of a woman trapped in motherhood. Having recently given birth to her second child, all she yearns for is freedom. Never have I read a novel that is so raw with emotion.

Whether or not this woman is suffering from postnatal depression or not is not something I wish to debate. I wonder if trying to diagnose her would sell this book short. She is going through so many different emotions and never holds back with her feelings. Die, My Love feels like a gut punch of emotions. A novel that is to be experienced more than analysed.

There is no doubt in my mind that this is an autobiographical novel. I cannot imagine Ariana Harwicz being able to write this without living the experience. There is an intensity in the writing that never feels fake. The conflicting emotions of yearning for freedom mixed with her motherly instincts hold the narrative together. The connection with nature stems from her constant desire to be free but also a reference to a child’s carefree nature.

“I think about how a child is a wild animal, about another person carrying your heart forever.”

The narrative that Ariana Harwicz is able to weave is so affecting; we are able to follow this vivid portrayal of a mother and experience every single emotion and thought, no matter how dark or disturbing it may be. There are many times where I feel like this protagonist is over sharing but that just adds to the raw and intense honesty. I was left in awe and have not been able to get the images from this novel out of my head. It will be a book that I will come back to again and again.

I have been going down a rabbit hole of Argentinian literature and Die, My Love seems to invoke a common style, often found in recent novellas from this great literary scene. It pleases me to see how many Argentinian women writers are getting their moment to shine and I expect to see more in the future. There is something about these books that are able to explore so much in such a short novel. For great Argentinian books by women including Die, My Love, look no further than Things We Lost in the Fire by Mariana Enríquez, Fever Dream by Samanta Schweblin and Savage Theories by Pola Oloixarac.


Things We Lost in the Fire by Mariana Enríquez

Posted March 5, 2018 by Michael @ Knowledge Lost in Horror, Short Stories / 2 Comments

Things We Lost in the Fire by Mariana EnríquezTitle: Things We Lost in the Fire (Goodreads)
Author: Mariana Enríquez
Translator: Megan McDowell
Published: Portobello Books, 2017
Pages: 202
Genres: Horror, Short Stories
My Copy: Paperback

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It seems that 2017 was my year of reading books from Argentina. From the classic The Invention of Morel by Adolfo Bioy Casares to the beautiful reflection into libraries in Alberto Manguel’s essay collection The Library at Night. In more recent releases there was Savage Theories by Pola Oloixarac and of course the much hyped Fever Dream by Samanta Schweblin. These four books would have been enough to satisfy any reader, but there was one that stood out far more than these, and that was Things We Lost in the Fire by Mariana Enríquez. Translated by Megan McDowell, this collection introduced the English world to a great example of Argentine Gothic; however, this could easily fall into the horror genre.

What made this collection stand out is the way Mariana Enríquez was able to explore issues within Argentina without addressing the history directly. The beauty of using literature instead of journalism was the ability to offer social criticism and personal opinions in a stylised and entertaining way. Here we can read about the gruesome realities that many people live in Buenos Aires. Starting from the opening story “The Dirty Kid” which explores the fear a woman faces living alone in the slums. Not to mention the poverty, drug abuse, gang-related killings and even satanic rituals that surround her every day.  In the translation notes by Megan McDowell she states that “Mariana Enríquez’s stories, Argentina’s particular history combines with an aesthetic many have tied to the gothic horror tradition of the English speaking world”. There are many of the tropes found in the horror genre including abandoned houses, supernatural elements, and body dismemberment or mutilation. However, it is not these, but the everyday situations that often terrify the reader.

For me, “The Inn” appears of one of the unsung heroes within the collection, it combines a real issue with a bizarre story. This story explores adolescent antics as the girls begin to explore their own sexuality. However, there is the lurking terror of the looming presence of the Alfredo Stroessner soldiers. Enríquez was able to explore the horror of unexpected terror in the time of the Paraguayan dictator. Hinting at the constant state of terror and the clandestine torture centres without mentioning them directly.

Mariana Enríquez has an amazing ability to explore so many issues without mentioning them. I am confident with a better understanding of Argentinian history, Things We Lost in the Fire is a completely different book. Exploring many themes from poverty to the corruption facing the country, but the biggest focus is the treatment of woman. You cannot really talk about this short story collection without spending time talking about the title story “Things We Lost in the Fire”, which explores the idea of women taking control of their own beauty in a rather unique way. The story leaves Silvina in the position to either betray her mother and the Burning Women movement or physically mutilating her own body.

This is the final story in the collection that not only sums up the underlying themes throughout the book but it also leaves you with this feeling that women must often be subjected to a choice where all choices are harmful, leaving her to pick the lesser of two evils. This story is the title story for a reason, if you only read one of the stories make sure it “Things We Lost in the Fire”. However, I do recommend the entire collection. It is a socio-political masterpiece, exploring the horrors and struggles of Argentina and women around the world. If you only read one short story collection in your life, make it Things We Lost in the Fire by Mariana Enríquez.

This review was originally published in the literary journal The Literati