Format: Audiobook

The Goldfinch by Donna Tartt

Posted April 20, 2014 by Michael @ Knowledge Lost in Contemporary / 8 Comments

Title: The Goldfinch (Goodreads)
, 2013
Pages: 771
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Carel Fabritius was a talented Dutch painter who was considered Rembrandt’s most gifted pupil. His paintings often featured delicately lit subjects against a light coloured background. He moved away from Rembrandt’s renaissance focus and developed his own painting style, with a strong interest in the technical. In 1654 he was injured in The Delft Explosion; 30 tonnes of gunpowder exploded destroying most of the city. Fabritius soon died from his injuries at the age of 32. Possibly one of the last paintings he ever painted, The Goldfinch depicts a goldfinch (a popular pet of the time) on light background. This piece shows his control over a heavily loaded brush as well as demonstrates his interest in lighting and texture.

Donna Tartt’s new novel The Goldfinch tells the story of Theo Decker, who survived a terrorist attack on a New York museum. Moments before the explosion his mother was pointing out Fadritius’ painting and telling Theo why she loved it; in all the confusion Theo manages to take the painting. Orphaned and alone, Theo struggles to find his place in this world while also trying to avoid being taken by the city.

While The Goldfinch is essentially a coming of age story, there are some interesting social observations being played out with the help of the stolen painting. On one hand, the painting represents Theo’s love for his mother and his need to hang on. I also feel that the painting represents that part that you keep hidden from the world; the secrets and shames that you tend to think will destroy friendships if revealed. This also serves a purpose when it comes to Theo’s friendship with Boris further in the novel.

While this is a novel about art and its seedy underbelly, I found myself a little disappointed in the lack of art history, art forging or art heists (technically there is a heist but that wasn’t thrilling). When I discovered my love of literature and learning, I also discovered an interest in art and art history, an itch that I’ve not scratched. I was hoping that Tartt’s novel would give me both entertainment and art history lessons but I was left disappointed. I expected Desperate Romantics but all I got was a bulky Catcher in the Rye.

I’m not saying that I didn’t like The Goldfinch, my expectations for the novel was different to what I got. Donna Tartt spends a lot of time looking at the idea of terrorist attacks and the lasting effects they have on the families of the victims and survivors. This grief serves as a baseline for Theo throughout the novel. Often it can be forgotten about but then you catch glimpses of the scars that remain and while they don’t justify his behaviour it really serve as evidence of the emotional rollercoaster he is stuck on. Tartt’s character development is the key to this book; she has created richly complex and flawed characters that feel so real. Theo, in particular, serves as both the narrator and protagonist; his voice throughout the novel manages to be both direct and reflective.

Donna Tartt’s The Goldfinch is complex but over padded; there is a lot that could be cut out to make this a shorter book. I can appreciate the way she captured the life of Theo Decker; making this a sweeping saga, packed with emotion and growth, still would be achievable with a hundred or more pages removed. This is a tragicomedy in every sense of the word but my biggest problem was that there were some situations where things resolved themselves a little too conveniently; it happens but not that often.

In the end, I found myself sitting on the fence with The Goldfinch. On one hand the characters and development of this novel was spectacular. The other hand is the fact my initial expectations weren’t met and the novel dragged on too much. I know that expectations should never get in the way of a good book and my head is telling me that I should jump on the bandwagon, however my heart just isn’t in it. I’ve heard good things about The Secret History but I have reservations about it now.

The New York Trilogy by Paul Austen

Posted April 13, 2014 by Michael @ Knowledge Lost in Crime, Literary Fiction / 2 Comments

Title: The New York Trilogy (Goodreads)
Author: Paul Auster
Published: Penguin, 1987
Pages: 308
Genres: Crime, Literary Fiction
My Copy: Audiobook

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If you want to try a metafictional detective novel, then look no further than The New York Trilogy by Paul Austen. Originally published sequentially as City of Glass, Ghosts and The Locked Room, these three interconnecting stories have been since collected into a single volume. Heavily influenced by the post-modernist movement, this novel blends elements of neo-realism, soft-boiled fiction and of course, metafiction. Even the pulp style cover (illustrated by Art Spiegelman) has a metafictional style to it.

I really wish I had a better grasp on post-modernism; there is a lot of literary theory that must go into fully understanding a novel like The New York Trilogy. My level of understanding of post-modernism might hinder this review but I will do my best to add something valuable here. Starting with a look at any example of one of the narrators; such as the one known as Peter Stillman, or is he? Maybe his name is something entirely different; maybe it is Paul Auster. This gives you an idea of just how you have to read this book; continuously questioning everything and assuming things are not as they have been told. This does make the novel difficult to read, I had to take my time with it and reread almost everything.

The first story City of Glass follows a detective fiction writer that becomes a private investigator. This unnamed narrator explores layers of identity and reality; often to Paul Auster (the author), Paul Auster (the writer), Peter Stillman (the mark), the other Peter Stillman (the son) and finally Daniel Quinn (the protagonist). The story follows this narrator as he descends into madness as the reader follows close behind. This is story that explores the relationship between the author, characters and the reader in a twisted kind of way. Essentially asking us to consider who has the real power in this relationship?

Ghosts follows the story of a private eye called Blue who is hired to follow Black; he has been hired by White to write down everything Black does. Only problem is that Black doesn’t do too much apart from sit and write all day, which means Blue spends all day sitting and writing. This is a story that explores the issue of who has the real power, the author or their characters. Paul Auster is showing us his views towards writing (sitting and watching what the character does).

Finally in The Locked Room, the title suggests that the story is referencing the locked room mystery archetype. It tells the story of a writer that doesn’t have the creativity to produce any fiction. When a childhood friend disappears, he has been hired to write his works and determine if they should be published. While one this job he finds himself taking the place of his friend and becoming husband and father to his family. This final story looks at the relationship between character and reader and asks us to consider if we are under the control of the author or do we interpret what is happening for ourselves.

It is interesting that a novel like The New York Trilogy can leave you perplexed and confused but when you try to articulate what happened and slowly dissect the novel into its three parts it all makes sense. I’m often surprised with how much I get out of a post-modern novel, especially since I often freak out and feel like I have not understood it. Then it all makes sense and I often wonder how I did not pick up on this while reading or after reading the novel. I hope I’ve made enough sense out of The New York Trilogy, a bizarre novel that requires very close attention but I’ve conquered it and I feel proud.

Breakfast at Tiffany’s by Truman Capote

Posted April 3, 2014 by Michael @ Knowledge Lost in Classic / 2 Comments

Title: Breakfast at Tiffany’s (Goodreads)
Author: Truman Capote
Narrator: Michael C Hall
Published: Penguin, 1958
Pages: 157
Genres: Classic
My Copy: Audiobook

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Breakfast at Tiffany’s is a romantic comedy starring Audrey Hepburn that the Library of Congress has recently deemed “culturally, historically, or aesthetically significant”. It was a cheesy and mildly offensive (Mickey Rooney’s character) adaptation of Truman Capote’s novella of the same name. I recently had a chance to read Breakfast at Tiffany’s before rewatching the classic film and as I expected, another Hollywood butchering.

Breakfast at Tiffany’s tells the story of the unnamed narrator and Holly Golightly who are tenants in the same Upper East Side brownstone. The novella follows the narrator’s observations the life of this Manhattan café society girl. Holly has no job, but she survives by socialising with wealthy men who in turn give her money and expensive gifts.

It is important to note that Truman Capote has stated that Holly Golightly is not a prostitute; this is a popular misconception that I believe is debunked in the novel (but doesn’t mean it’s wrong). There is a conversation about three thirds of the way through this novella where Holly says she could never be a prostitute, she can’t separate love and sex. Even Capote came out and say that she wasn’t a prostitute, saying in an interview that “[Holly] was the prototype of today’s liberated female and representative of a whole breed of girls who live off men but are not prostitutes. They’re our version of the geisha girl.”

It is hard not to compare Breakfast at Tiffany’s the novella with the movie, everyone has seen the movie but I wish the book was celebrated for its brilliance. The movie has a focus on romance but that’s way off. What I found in the novel was friendship, isolation and on a very basic level hopes and dreams. There was an element of love in the novella but less traditional love, more of a focus on unrequited love (the wealthy men’s towards Holly) and love between friends.

I do have to wonder if the unnamed narrator has an autobiographical element to him. Both the narrator and Truman Capote share the same birthday, (the same birthday as me, 30th of September). I don’t know much more about Capote’s life but sharing a birthday makes me wonder. Holly was modelled after multiple women in Capote’s life, women he considered friends. I might find a biography of Truman Capote to learn more about it.

I listened to the audiobook of this novella read by Michael C. Hall and all I can think of was Dexter Morgan. The unnamed narrator in Breakfast at Tiffany’s had a similar narration style to that of Dexter and I kept waiting for something slightly sinister to happen. None of the characters were sociopaths like Dexter but I do think it enhanced my experience.

I loved this novella and highly recommend it to anyone who hasn’t read it. I didn’t remember reading much from the movie when I picked up this book; luckily, I think that might have tainted the experience. Capote’s writing was incredible and I feel like I need to read more of his, In Cold Blood is obviously a priority, although a biography might be beneficial first.

The Black-Eyed Blonde by Benjamin Black

Posted March 28, 2014 by Michael @ Knowledge Lost in Pulp / 6 Comments

Title: The Black-Eyed Blonde (Goodreads)
Author: Benjamin Black
Series: Philip Marlowe #10
Published: Mantle, 2014
Pages: 256
Genres: Pulp
My Copy: ARC from Netgalley

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Resurrecting iconic literary characters is tricky business and when John Banville (under the pseudonym Benjamin Black) signed on to write another Philip Marlowe novel, I was worried. Most people know I am a huge fan of Marlowe, the hard-boiled detective created by Raymond Chandler, but something in me had to know if The Black-Eyed Blonde was any good. Now I’m left to decide if to review this as a Philip Marlowe novel or cliché pulp.

The premise is simple; a blonde bombshell, Clare Cavendish, seeks out Marlowe to find her missing lover Nico Peterson. If we look at the tropes of pulp fiction, in particular hard-boiled detective novels than we must suspect Clare to be the femme fatale and the case would be full of unexpected twists and turns. In both aspects The Black-Eyed Blonde failed to deliver anything interesting; Clare was attractive and seductive but never really had an air of mystery about her and the case felt too cut and dry.

Now let’s look at the protagonist; clearly not Philip Marlowe but someone trying to impersonate this great detective. Marlowe is a modern day knight in shiny armour; in a world of corruption he is incorruptible. He is also a flawed character; Raymond Chandler’s Marlowe is a loner, bitter, cynical, quick witted with a silver tongue. The Marlowe portrayed here was a much older, slower babbling mess; nothing really rang true. You can look at the amount of alcohol Chandler’s Marlowe drinks and wonder just how a man can function but in this novel while he drank a lot, the Mexican beers don’t sit right. Also you have to wonder about the dialogue; the Marlowe in The Black-Eyed Blonde talked differently, I tried to place the way he spoke and all I could think was this character was from Brooklyn.

Since nothing in this book felt like a Philip Marlowe novel, I tried to read The Black-Eyed Blonde in the same way I would read any other pulp. I tried to separate my love of Philip Marlowe and Raymond Chandler’s writing to give a fair review but it is hard to separate the two. Even if I judge The Black-Eyed Blonde as a standalone novel I still feel like the whole thing was a bit flat. There are some decent moments in this book and I was mildly entertained, however I doubt I will ever read a Benjamin Black novel again based on this experience.

I really want to see more Philip Marlowe stories but everyone who attempts it seems to butcher the character. The Black-Eyed Blonde was better than Perchance to Dream but the bar was set so low that I think Benjamin Black must have tripped over it. Do yourself a favour; stick to Raymond Chandler. If you’ve never read a Philip Marlowe novel start with The Lady in the Lake, it is a good introduction to the character and the style without being overly complex. For me, I may just reread the series (an excuse to blog about them) and try Chandler’s short stories.

Alif the Unseen by G. Willow Wilson

Posted March 23, 2014 by Michael @ Knowledge Lost in Fantasy / 0 Comments

Title: Alif the Unseen (Goodreads)
Author: G. Willow Wilson
Narrator: Sanjiv Jhaveri
Published: Allen & Unwin, 2012
Pages: 433
Genres: Fantasy
My Copy: Paperback

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

Alif is the online persona of a grey hat working in the United Arab Emirates, taken from the first letter in the Arabic alphabet. Alif is a 23 year old Arab/Indian, working in internet security who fell in love with an Arab aristocratic woman he met online. Their relationship is doomed from the start; her family would never accept someone outside her social class, let alone an Indian. Her father has already arranged a more suitable suitor for her; a mysterious and powerful man who is known online as ‘the Hand’, the states leading internet censor. In an attempt to get the girl, Alif has made a powerful enemy, one that forces him to go underground into the world of Jinn’s (genies), ghouls, demons and all the others that remain unseen.

Debut author G. Willow Wilson set out to write a book that can bring her three loves together. A love of comic books and all things geeky, as well as her love of literary fiction and that of her Muslim heritage. The result is Alif the Unseen, a rich blend of cyberpunk and urban fantasy that explores the Arabic culture as well as looks as many social-political issues. Personally I think Wilson set out to expose the bias that the online community has no social consciousness, and educate the world on Muslim culture as well as explore the societal impact of hackivism.

I picked up this novel because G. Willow Wilson is the writer behind the new Ms. Marvel; the fourth character to take on this superhero and is the first Muslim character to have their own Marvel series. After reading the first issue, I wanted to check out Alif the Unseen. I knew it was a cyberpunk/urban fantasy blend but now I expected a strong Arabic or Muslim presence. I didn’t except a literary approach to this genre, but I was pleasantly surprised, Wilson has a lot to say on the Middle East social-politically speaking but also she educates the reader on a culture that is possibly unfamiliar to them.

G. Willow Wilson also takes on Middle Eastern folklore and myths and blends these fables with a religious element. Take jinn for example, we know them as genies but Islamic belief divides sentient beings into three categories. These are Malayka (angels), Nas or Banu Adam (human) and Jinn (the hidden ones). Angels are genderless and have no free will, but humans and Jinn’s are gendered and have free will, this is why Islamics believe Satan was a Jinn and not an angel, as it is impossible for an angel to disobey the will of God. Also playing a role in the story is the hamsa (or the hand of Fatima) which is like a good luck charm in Islamic culture. In the Judeo-Christian world this is often called the hand of Mary or Miriam.

I also want to talk about hackivism. In this novel Alif lives in a heavily censored world; the government believes in having a tight control on what is on the internet. Alif is a grey hat; this is a hacker that doesn’t work for a cooperation of the government. The term comes from the old western metaphor where the good guys wore white hats and the villains had black hats. A grey hat would be someone whose activities and practices fell in a grey area. For Alif, it was a matter of free speech (and possibly money). He provided security for enemies of the Arad stats, militant Islamists and even pornographers. Sites that the government wants to shut down often turned to Alif or another grey hat for internet security.

I can probably go on and talk more about the range of topics that are going on in Alif the Unseen, but I fear I don’t have the knowledge of Middle Eastern folklore or culture, Islam and hackivism. One of the things I enjoy most about reading is the ability to explore different cultures and learn about the world. Alif the Unseen took me into the rich world of the United Arab Emirates and looked at many social issues, in particular class and religion. I’m not much of a fantasy reader but I do seem to prefer urban fantasy, add in the cyberpunk and literary elements and I’m happy. Alif the Unseen will entertain and educate all its readers; most people will just read it for the entertainment but I hope they take a little understanding with them.

The Gospel of Loki by Joanne M. Harris

Posted March 22, 2014 by Michael @ Knowledge Lost in Fantasy / 2 Comments

Title: The Gospel of Loki (Goodreads)
Author: Joanne Harris
Narrator: Allan Corduner
Published: Hachette, 2014
Pages: 302
Genres: Fantasy
My Copy: Audiobook

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

If you’ve been on the internet (especially Tumblr) in the last few years, chances are that you would know who Loki is. Popularised by Marvel Comics and the recent Thor movies Loki is originally found in Norse mythology. Joanne Harris, best known for novels like Chocolat and Five Quarters of the Orange, tries her hand at fantasy under the name Joanne M. Harris. The Gospel of Loki follows the story of the trickster god, Loki, from his recruitment by Odin from the realm of Chaos to become a Norse god.

“Loki, that’s me.

Loki, the Light-Bringer, the misunderstood, the elusive, the handsome and modest hero of this particular tissue of lies. Take it with a pinch of salt, but it’s at least as true as the official version, and, dare I say it, more entertaining.

So far, history, such as it is, has cast me in a rather unflattering role.

Now it’s my turn to take the stage.”

Told from the perspective of Loki, The Gospel of Loki starts off in a playful tone as you can see by the above text. This tone continues throughout the novel, keeping a light and entertaining look at the ultimate trickster. Joanne Harris picked a challenging topic to tackle for her first attempt in Fantasy. Trying to get the balance between the Norse mythology and the popular conceptions as told by Marvel would be problematic. I don’t pretend to know much about the mythology and possibly less about the Marvel comics but I think Harris captured the character really well. We can debate whether Marvel follows the mythology or not but what I got in this novel was the mischievous, unreliable, jokester that I expect from Loki.

To play devil’s advocate, I must point to the title of this novel, The Gospel of Loki. The word gospel suggests that this is the unquestionable truth of Loki’s life, a first-hand account of what happened. Loki is an unreliable character and since he is often known as a lying, manipulative, demon-born anti-hero, the only source of truth (or as close as allowed) can only come in first person. My problem would be the modern tone of the whole novel; the mythology was formed hundreds of years ago, so I expected the language to be different. I expected the writing to feel dated, something Fantasy does really well but this novel felt like it was set in current times.

Overall this is an entertaining novel that explores the mythology of Loki in an interesting way. While each chapter seems to be a little story that interconnects with the overall plot, it also gives glimpses into Loki’s character. You get an in-depth look into Loki, learning about his story and life lessons. With such detail into the primary character, it’s a little sad to see that all the other characters were so flat, especially his adoptive brother Thor. Then again, Loki is so narcissistic that going into details about everyone else would feel a fake.

I’m of two minds with this novel, on one hand I think Harris did a great job in giving me a brief (but unofficial) look into the life of Loki. Everything I’ve read of hers I’ve liked and for a fantasy novel, The Gospel of Loki worked really well. Then again, this was a fantasy novel and I often struggle with them, but I think this was far too modern which stopped the story from ringing true. I have to wonder what someone with a detailed knowledge of Loki, the Norse god or Marvel super villain thinks of this book.

War and Peace by Leo Tolstoy

Posted March 20, 2014 by Michael @ Knowledge Lost in Classic / 2 Comments

Title: War and Peace (Goodreads)
Author: Leo Tolstoy
Translator: Aylmer Maude, Louise Maude
Published: Oxford World's Classics, 1869
Pages: 1392
Genres: Classic
My Copy: Personal Copy

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

When people thing of big books often War and Peace by Leo Tolstoy is mentioned. This Russian classic depicts the French invasion of Russia in 1812. True to Tolstoy form, War and Peace also looks at classes and the impact of the Napoleonic invasion on the Tsarist society. While this book can be considered an epic historical war novel, for me this was a work of philosophical ideas. This is one of the hardest books to review, not because I have nothing to say but rather there is so much to cover and I have no idea where to start.

Just to put things into perspective, I started this book in October and have been slowly chipping away at it for four months. It is a hard battle and you really need to take your time with a book like this because Tolstoy has a lot to say. This is the kind of book that feels like you‘ve climbed a mountain when you finally finish and you can just feel your pretentious levels rising. For those interested, I read the Oxford World’s Classics edition which has the translations by Aylmer and Louise Maude. Many people debate on which translation is the best but I thought going with an Oxford World’s Classics would be a safe bet; I love this publisher and know I’m always getting a decent copy of the book.

Right off the bat you are flung into this world and you meet so many people. Tolstoy has an amazing ability to give the reader a sense of a person with a few lines, so even the minor characters in this book get some sort of personality. There are hundreds (over 500) characters within War and Peace and I often found it difficult to keep up with them all but thanks to Leo Tolstoy’s writing ability I could relax a little because even if I forgot about a character, when they reappear further in the book I still had a sense of who they are. This is possible due to the way this book was originally written and I will talk more on that later.

Most of the major characters within War and Peace are members of the aristocracy and it is interesting to see them all fighting for a higher position in society, government or the military. People like Boris rise in society while others like the Rostov fall, Dolokhov gets demoted while Pierre plots an assassination. Not only do we have the Napoleonic war happening within these pages, a battle for social standing rages through this novel. It is all about power but paradoxically the people with the most power within this book are the ones that seem to give up control.

If you don’t have the knowledge of Russian or Napoleonic history, this novel accommodates the reader. I found myself at times looking up information about the history just to satisfy my curiosity but as the book progressed, my research subsided. It is in Leo Tolstoy’s style to give you as much information as possible, this does make the book longer but for me I think it was a huge bonus. But you must realise this is a work of fiction and most of the people are fictional. Tolstoy was telling a story of the invasion and the harsh nature of war. You can even look at the second epilogue and read more of the authors thoughts on the subject and the philosophical ideas held within this book.

War and Peace was originally serialised in the literary magazine The Russian Messenger between 1865 and 1867. This magazine plays host to many of Leo Tolstoy and Fyodor Dostoyevsky’s novels. This means that originally people read War and Peace over the course of three years. This means at times the novel may feel repetitive and covering plot points done before but this is just a result of the original format. It comes in handy with characters as they are reintroduced and because I took my time reading this classic, it became a vital part.

There is so much going on within War and Peace and it took me a long time trying to work out what I wanted to say and what to leave out. This is the kind of book that needs to be revisited in the future, Tolstoy has a lot to say and I’m interested in exploring the themes. I loved this book; it is a roller-coaster of emotions and philosophical ideas. I’ve only scratched the surface of what is happening in this novel and then wrote a small amount of what I discovered. I can’t imagine ever being able to fully understand the brilliance of Tolstoy and War and Peace. For me, Fyodor Dostoevsky is a better writer but Leo Tolstoy has a unique ability to capture the lives of everyone involved in one war.

Time to Murder and Create by Lawrence Block

Posted March 8, 2014 by Michael @ Knowledge Lost in Pulp / 0 Comments

Title: Time to Murder and Create (Goodreads)
Author: Lawrence Block
Series: Matt Scudder #2
Published: Orion, 1976
Pages: 170
Genres: Pulp
My Copy: Audiobook

Buy: Amazon, Book Depository (or visit your local Indie bookstore)

Matthew Scudder is back and this time a small-time stoolie named Jake “The Spinner” Jablon has come to him for help. This informer has found a new line of business in blackmail but now one of his clients has figured it was better to kill than keep paying for his silence. After an attempt on his life goes wrong, The Spinner turns to Scudder to be his avenging angel if he ever does wind up dead. Only problem is when he eventually was found floating in the river, Scudder had to work out just who finally caught up to The Spinner and killed him.

Having just finished War and Peace (a review that is quite difficult to write) I felt the need to read something quick and easy. The Matthew Scudder series is just that, 1970’s hard-boiled with a gritty and fast paced style to it. Scudder is a former New York Police officer who now does ‘favours’ for people as he isn’t a licenced Private Investigator. One of the things I really like about Lawrence Block’s hard-boiled detective is the fact that there are signs that he isn’t what he claims to be. It’s revealed that Scudder was a corrupt cop and you can see the corruption start to seep into his PI work. Hard-Boiled characters normally walk that fine line between good and evil but with Matthew Scudder I get the sense that he can’t walk a straight line.

You might have noticed that I’ve been trying to write critical reviews lately but when it comes to a book like Time to Murder and Create it is hard to have in-depth criticism. This is pure escapism, a quick and entertaining read full of dark gritty characters that all have a secret to keep. Like In the Midst of Death, Time to Murder and Create wasn’t as good as The Sins of the Fathers, the series started off strong but now it feels like those crime shows on TV where there is just a new case every time and nothing new or exciting.

If I ever need a quick easy palate cleaner, then I might return to the Matthew Scudder because sometimes you need mindless entertainment. I have an idea of what I would like to see with this character but I don’t think they will go in that direction. Sometimes I wish I had the skills to write a hard-boiled crime series, just because they are fun to read and I have never found a series that lived up to the excitement of Raymond Chandler’s Philip Marlowe series and I’m frustrated enough to want to create my own. If anyone has a recommendation for a great hard-boiled crime series, please let me know.

Robinson Crusoe by Daniel Defoe

Posted February 10, 2014 by Michael @ Knowledge Lost in Classic / 0 Comments

Title: Robinson Crusoe (Goodreads)
Author: Daniel Defoe
Published: Oxford World's Classics, 1719
Pages: 321
Genres: Classic
My Copy: Personal Copy

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

When Robinson Crusoe gets shipwrecked on an island, everything changes for him. Now stuck on the island of despair, Crusoe has to learn how to survive. Daniel Defoe’s classic survival novel has been the inspiration for many stories to come. Most people know the story so I won’t go into too much detail summarising the book.

Some may disagree but I found that Defoe set out to shatter the misconceptions that Europeans had towards colonialism. When Robinson Crusoe lands on the island he adopts colonialism, as it is familiar to him and the political nature he recognises. You see the progression of this social structure from when Crusoe first found himself on the island. He built his shelter, farmed the lands and hunted. Then when other people were introduced, the social order fell into place, putting himself as lord and master. Others like Friday and his father were slaves, but the Spaniard and the Englishmen were treated completely differently.

Another theme I noticed while reading Robinson Crusoe was the idea of isolation; this was portrayed in a literal sense. Stuck on the island, Crusoe had so much time on his hand he spends it contemplating society, religion, politics and the world. What was interesting to note is the fact that there was no real mention of women in the book; there were some but none played a significant role. This detail is something I spent a lot of time contemplating, it felt like with all his reflections, women never were an important part of the world. I’m not sure what Defoe meant by this but I’m sure it is something worth investigating.

I found Robinson Crusoe fascinating; I was studying it for university so I had to look at what Daniel Defoe was trying to say about colonialism. However there is something that really annoyed me about the book and that is the way the writing style kept changing. It felt like Defoe wasn’t sure how he was writing the novel, switching between diary entries and first person narrative. It didn’t feel intentional just changing whenever it suited him and that, in turn, just felt sloppy.

Robinson Crusoe isn’t a great book; I’m glad I read it but it just isn’t something I can praise. It wasn’t a problem with the themes or the style; it just focused too much on survival and missed opportunities to explore other topics. Sure, this is a classic and you have to give a book credit for staying around so long, but Robinson Crusoe just wasn’t for me.

A Rogue by Any Other Name by Sarah MacLean

Posted February 8, 2014 by Michael @ Knowledge Lost in Historical Fiction, Romance / 10 Comments

Title: A Rogue by Any Other Name (Goodreads)
Author: Sarah MacLean
Series: The Rules of Scoundrels #1
Published: Avon, 2012
Pages: 386
Genres: Historical Fiction, Romance
My Copy: Audiobook

Buy: Amazon, Book Depository, Kindle (or visit your local Indie bookstore)

After a broken engagement and years of disappointing courtships, Lady Penelope Marbury has all but given up on finding love. That was until she married the Marquess of Bourne, a prince of London’s underworld, a man cast from society into nothingness who is out for revenge. This wasn’t a marriage of love but convenience, Bourne married for the dowry and Penelope to avoid scandal and to ensure her sisters wouldn’t suffer the same fate.

You can guess how the story goes. He wants to keep Penelope away from his world and his underground gambolling house. She is bored, he is a prick. She wants adventure, hot sex and happily ever after. That is how regency romances work, right? Well, it does in this case with Sarah MacLean’s A Rogue by Any Other Name. I feel like I need to go back to my review of Outlander and pretty much cover the same issues again. The whole fantasy verse reality issue; my wife loves Outlander but I know her well enough to know she doesn’t really want someone like Jamie. In reality, if you were in a relationship with Jamie (from Outlander) or Michael Lawler (the Marquess of Bourne) you would be in an abusive one.

People are probably wondering why I decided to read A Rogue by Any Other Name; it wasn’t because it won the RITA Award for Best Historical Romance in 2013 because I don’t care about awards. There are a few reasons. Obviously I needed a romance novel for the Literary Exploration Reading Challenge. I know I could have gone with a literary romance novel but I was curious about Sarah MacLean mainly because she often talks about the intersection of feminism and the romance genre but also because the sex scenes are hot. Why not find out for myself?

Interestingly enough there was a very feminist vibe in this novel along with the whole cliché romance story arc. Penelope is portrayed as a very strong willed woman, willing to stand up to Michael’s stupid behaviour. She was in a situation where she had to think about her family and to avoid the scandals she made the choice to marry. The novel has a lot of other examples of feminism but what I liked about this book was the fact that most of the women were feisty and strong minded; they didn’t let the men control them. At times the men may think they are in control but they had no idea what they had gotten themselves into.

When it came to the sex scenes, yes they were hot and steamy but the fact that MacLean avoided most of those flowery euphemisms was what stood out to me. There were some cringe worthy phrases but as a whole the words seemed fitting. I know sex scenes are an important factor in deciding on which romance novels to read so I will say they were erotic, but there weren’t enough of them. Most of the time Penelope was the lonely wife and Michael didn’t want to corrupt her innocence, even if she was begging to be corrupted. However this is book one in The Rules of Scoundrels series so I’m assuming sex will be a more common thread in the next two books.

I’m not sure what the appeal is with romance novels but I will continue to try them. Personally I’m not that interested in reading more from The Rules of Scoundrels series but maybe I’ll try book one of her other series, Nine Rules to Break When Romancing a Rake (just because I like the name). Sarah MacLean’s written style is pretty good, the plots are pretty basic but she makes up for that with strong women and steamy sex. There is a black strip along the right hand side of the book cover; does anyone know what that means? If you are a fan of romance then I’m sure Sarah MacLean is someone you should be reading; it is better than the Outlander series.